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a lyrical abstract painting referencing the memories of a particular time - a sort of soundtrack. Influenced by St ives painters of the 50s and 60s ,especially Peter Lanyon.The the thin layers of paint and drawing echo the idea of time passing -things kept -things lost. The painting is almost square in size with a masked border to facilitate easy framing. The paper is heavy weight watercolour paper with a smooth surface. There is a depth and resonance to the colour from using white paper.
a lyrical abstract painting referencing the memories of a particular time - a sort of soundtrack. Influenced by St ives painters of the 50s and 60s ,especially Peter Lanyon.The the thin layers of paint and drawing echo the idea of time passing -things kept -things lost. The painting is almost square in size with a masked border to facilitate easy framing. The paper is heavy weight watercolour paper with a smooth surface. There is a depth and resonance to the colour from using white paper.
a lyrical abstract painting referencing the memories of a particular time - a sort of soundtrack. Influenced by St ives painters of the 50s and 60s ,especially Peter Lanyon.The the thin layers of paint and drawing echo the idea of time passing -things kept -things lost. The painting is almost square in size with a masked border to facilitate easy framing. The paper is heavy weight watercolour paper with a smooth surface. There is a depth and resonance to the colour from using white paper.
a lyrical abstract painting referencing the memories of a particular time - a sort of soundtrack. Influenced by St ives painters of the 50s and 60s ,especially Peter Lanyon.The the thin layers of paint and drawing echo the idea of time passing -things kept -things lost. The painting is almost square in size with a masked border to facilitate easy framing. The paper is heavy weight watercolour paper with a smooth surface. There is a depth and resonance to the colour from using white paper.
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"Loving the Travelling Man" Painting

Julia Burns

United Kingdom

Painting, Acrylic on Paper

Size: 22.8 W x 22 H x 0 D in

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Originally listed for $580
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About The Artwork

a lyrical abstract painting referencing the memories of a particular time - a sort of soundtrack. Influenced by St ives painters of the 50s and 60s ,especially Peter Lanyon.The the thin layers of paint and drawing echo the idea of time passing -things kept -things lost. The painting is almost square in size with a masked border to facilitate easy framing. The paper is heavy weight watercolour paper with a smooth surface. There is a depth and resonance to the colour from using white paper.

Details & Dimensions

Painting:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:22.8 W x 22 H x 0 D in

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Julia’s work explores the physicality of painting, the use of colour to give an illusion of space within the work and the application of mark almost as a ‘beat’ within the pieces. The paintings explore the poetry of lost things. They describe encounters within the world and the impossibility of assimilation or permanence. They are concerned with memory, the fleeting glimpse, traces and journeys not taken and elegiac shifts of balance. The work sometimes alluding to interiors or landscapes but is essentially about colour relationships and improvisations, the process of the painting revealing the image through time. “I am interested in creating paintings which act like soundtracks to a particular time.” The paintings are acrylic paint and crayon on paper worked in many thin layers to achieve the richness of colour. The crisply masked edge ‘contains’ the sometimes-elusive imagery and the addition of crayon drawing adds a broken textural line. Julia has been a practicing artist since 1983. She has exhibited widely in Britain and Europe. She is a member of the Wolverhampton Society of Artists.

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