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MC_002 Painting

Alonso Galue

United States

Painting, Acrylic on Canvas

Size: 23.6 W x 31.5 H x 0 D in

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About The Artwork

Sylvia Plath can explain this kind of things better than me: "I know the bottom, she says. I know it with my great tap root: It is what you fear. I do not fear it: I have been there. Is it the sea you hear in me, Its dissatisfactions? Or the voice of nothing, that was your madness? Love is a shadow. How you lie and cry after it Listen: these are its hooves: it has gone off, like a horse. All night I shall gallop thus, impetuously, Till your head is a stone, your pillow a little turf, Echoing, echoing. Or shall I bring you the sound of poisons? This is rain now, this big hush. And this is the fruit of it: tin-white, like arsenic. I have suffered the atrocity of sunsets. Scorched to the root My red filaments burn and stand, a hand of wires. Now I break up in pieces that fly about like clubs. A wind of such violence Will tolerate no bystanding: I must shriek. The moon, also, is merciless: she would drag me Cruelly, being barren. Her radiance scathes me. Or perhaps I have caught her. I let her go. I let her go Diminished and flat, as after radical surgery. How your bad dreams possess and endow me. I am inhabited by a cry. Nightly it flaps out Looking, with its hooks, for something to love. I am terrified by this dark thing That sleeps in me; All day I feel its soft, feathery turnings, its malignity. Clouds pass and disperse. Are those the faces of love, those pale irretrievables? Is it for such I agitate my heart? I am incapable of more knowledge. What is this, this face So murderous in its strangle of branches?—— Its snaky acids hiss. It petrifies the will. These are the isolate, slow faults That kill, that kill, that kill."

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:23.6 W x 31.5 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Alonso Galue (Venezuelan, b. 1994, Chicago Based) BFA at University of Los Andes, is a multidisciplinary artist whose experimental use of traditional painting and sculpture articulates speeches on labor, existential crisis, and totalitarianism. In his Immigrants to go series, for example, he uses clay to portray the faces of food industry workers on floating plates with actual food. As the exhibition progresses, the food rots, creating an uncomfortable situation for the observer who faces the hidden laborers. Pulitzer Prize Jerry Saltz commented on Instagram Galue’s work is “a strong voice of the future.” Galue’s work has been exhibited in several museums across Venezuela and artist-run spaces in the US, including the Museum of Contemporary Art of Zulia, Museum of Modern Art Merida, Museum of Miniature Merida, Espacio Proyecto Libertad, University of Los Andes, Void Projects, and Agitator Gallery. He was Awarded Valencia’s Painting Prize in 2017, and the Iberoamerican Art Fair Caracas 2020.

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