384 Views
3
View In My Room
Painting, Oil on Cardboard
Size: 27.6 W x 39.4 H x 7.9 D in
Ships in a Box
384 Views
3
mixed media, thick materials, paint, wood, stones / moon-surface MOON BLUE is one of the latest Art works of Karl Meszlényi, who's work is raw, experimental, progressive and predominantly reflecting the Artist's restless creation; so is this painting, the result from endless experiments on used materials, such as rusty metal, broken wood, minerals and industrial residues. An abstract expression, all about texture, a stone breaking the monochrome, as daily events consecutively break into peoples monochrome lives, monochrome lives as a metaphor of the unresponsive, not exactly irresponsible, however individuals are driven to live unable to respond life/world fastness. MOON BLUE means the stone in the puddle, scream in such world and social deaf silence. Again, it reflects the Painter's forward-looking and exploratory works, strongly detail-oriented and triggered by the material itself; the Painter who loves to challenge and be challenged, as a living laboratory, fuming with ideas, blasting with energy; passionate by large size paintings and views, natual raw materials who's painting becomes a live performer.
2008
Oil on Cardboard
One-of-a-kind Artwork
27.6 W x 39.4 H x 7.9 D in
Not Framed
Not applicable
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Hungary.
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Hungary
Painter My forward-looking and exploratory paintings are strongly detail-oriented and triggered by the material itself. The work is raw, experimental, progressive and predominantly reflecting my restless creation. The paintings are based on experiments and used materials, such as rusty metal, broken wood, minerals and industrial residues. I love to be challenged, I am like a living laboratory, fuming with ideas and blasting with energy. .html My current aim is to create large size of paintings, using recovered materials and use a suitable exhibition space for installations. The “artist’s presence” is vital and live performances are created for openings.
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