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“Madame Baa-Rhône’s Place”...Memories of France...

As I relived the times in which I viewed Madame’s property for sale my memory reminded me of several things I hadn’t considered when mulling over whether to buy her antique cottage. Each time I visited, Madame would be standing in her garden-hand on one hip-a sickle
in the other and never with a smile on her face. Completely wet behind the ears, I was immediately drawn to the charm of her wreck of a place (of course I didn’t think of it as a “wreck” then...I thought it was lovely). Although I did make an offer for her property I decided to pull out as my gut told me “don’t do it”.  As I worked on this painting for days, scraping off several iterations, my thoughts brought me to the real reason I pulled out of the deal. Madame’s property was down a long rural road with no neighbors in sight (not ideal for someone living alone). Her cottage was surrounded by old dilapidated farm buildings guaranteed to be standing till they fell on their own (buildings aren’t knocked down in France like they are in the US) and heaven knows what creatures were happy to be hanging out in them! 

The artwork is unframed but has 2-inch sides painted gray so it can be hung without a frame. 

A certificate of authenticity accompanies all paintings.
Madame's name purposely misspelled.
Images in-situ may not be to scale.

About the artist-
The works of Monet, Pissarro, Sisley and Morisot showed Casey-Mason a language of painterly skills that she was able to appreciate and learn from. Her early impressionistic works (1995-2010) depict landscapes, farms, nature, buildings, marine paintings, rural scenes and still lifes’. In 2002, she attended her first workshop in Monet's gardens which inspired a dream to live in France. After her second workshop in the south of France, she left her corporate job, sold her home in the U.S. and moved to the countryside of France. The landscape that had so inspired her became her life. She created light filled gardens with blooms and veggies visited daily by birds and bees. Her gardens became the main focus of the many new paintings.  It was during these years she was unwittingly led to discover the works of Gerhard Richter, Joan Mitchell and Jackson Pollack. Her imagination was stirred by their use of colors, expressive brushstrokes, the reliance on intuition and their individuality. Casey-Mason realized a personal creative break through and adopted their approach which has dominated her art making over the past ten years. Celebrating this freedom, her love of color and wonder now translates onto her canvases within the style of abstractions which are never far from the rhythms of nature. the hues sitting well and resonating with intuitive marks.
Casey-Mason now resides in the U.S.
 
Artist Statement-
"Before starting a painting I spend a lot of time deciding upon color combinations and experimenting with different mediums. Whether I paint to music or start each session unscripted, I begin by putting a paintbrush (knife, pen, marker etc.) to canvas, making marks haphazardly and reacting intuitively to the canvas. The moment by moment process of manipulating the paint (often times scraping off and reapplying) begins to reveal the inspiration for the piece...a place...a time...a feeling...or an experience that had a profound effect on me. It's at this time I step back and use my thoughts to fine tune the piece and make the changes necessary to complete the image. Whether it's minutes, hours or days, eventually I do know when the canvas no longer wants more of me and it is done. 
Life doesn’t provide the chance to redo things or the chance to always determine the end result of things. For me, creating art does."
-Peggy Casey-Mason
“Madame Baa-Rhône’s Place”...Memories of France...

As I relived the times in which I viewed Madame’s property for sale my memory reminded me of several things I hadn’t considered when mulling over whether to buy her antique cottage. Each time I visited, Madame would be standing in her garden-hand on one hip-a sickle
in the other and never with a smile on her face. Completely wet behind the ears, I was immediately drawn to the charm of her wreck of a place (of course I didn’t think of it as a “wreck” then...I thought it was lovely). Although I did make an offer for her property I decided to pull out as my gut told me “don’t do it”.  As I worked on this painting for days, scraping off several iterations, my thoughts brought me to the real reason I pulled out of the deal. Madame’s property was down a long rural road with no neighbors in sight (not ideal for someone living alone). Her cottage was surrounded by old dilapidated farm buildings guaranteed to be standing till they fell on their own (buildings aren’t knocked down in France like they are in the US) and heaven knows what creatures were happy to be hanging out in them! 

The artwork is unframed but has 2-inch sides painted gray so it can be hung without a frame. 

A certificate of authenticity accompanies all paintings.
Madame's name purposely misspelled.
Images in-situ may not be to scale.

About the artist-
The works of Monet, Pissarro, Sisley and Morisot showed Casey-Mason a language of painterly skills that she was able to appreciate and learn from. Her early impressionistic works (1995-2010) depict landscapes, farms, nature, buildings, marine paintings, rural scenes and still lifes’. In 2002, she attended her first workshop in Monet's gardens which inspired a dream to live in France. After her second workshop in the south of France, she left her corporate job, sold her home in the U.S. and moved to the countryside of France. The landscape that had so inspired her became her life. She created light filled gardens with blooms and veggies visited daily by birds and bees. Her gardens became the main focus of the many new paintings.  It was during these years she was unwittingly led to discover the works of Gerhard Richter, Joan Mitchell and Jackson Pollack. Her imagination was stirred by their use of colors, expressive brushstrokes, the reliance on intuition and their individuality. Casey-Mason realized a personal creative break through and adopted their approach which has dominated her art making over the past ten years. Celebrating this freedom, her love of color and wonder now translates onto her canvases within the style of abstractions which are never far from the rhythms of nature. the hues sitting well and resonating with intuitive marks.
Casey-Mason now resides in the U.S.
 
Artist Statement-
"Before starting a painting I spend a lot of time deciding upon color combinations and experimenting with different mediums. Whether I paint to music or start each session unscripted, I begin by putting a paintbrush (knife, pen, marker etc.) to canvas, making marks haphazardly and reacting intuitively to the canvas. The moment by moment process of manipulating the paint (often times scraping off and reapplying) begins to reveal the inspiration for the piece...a place...a time...a feeling...or an experience that had a profound effect on me. It's at this time I step back and use my thoughts to fine tune the piece and make the changes necessary to complete the image. Whether it's minutes, hours or days, eventually I do know when the canvas no longer wants more of me and it is done. 
Life doesn’t provide the chance to redo things or the chance to always determine the end result of things. For me, creating art does."
-Peggy Casey-Mason
“Madame Baa-Rhône’s Place”...Memories of France...

As I relived the times in which I viewed Madame’s property for sale my memory reminded me of several things I hadn’t considered when mulling over whether to buy her antique cottage. Each time I visited, Madame would be standing in her garden-hand on one hip-a sickle
in the other and never with a smile on her face. Completely wet behind the ears, I was immediately drawn to the charm of her wreck of a place (of course I didn’t think of it as a “wreck” then...I thought it was lovely). Although I did make an offer for her property I decided to pull out as my gut told me “don’t do it”.  As I worked on this painting for days, scraping off several iterations, my thoughts brought me to the real reason I pulled out of the deal. Madame’s property was down a long rural road with no neighbors in sight (not ideal for someone living alone). Her cottage was surrounded by old dilapidated farm buildings guaranteed to be standing till they fell on their own (buildings aren’t knocked down in France like they are in the US) and heaven knows what creatures were happy to be hanging out in them! 

The artwork is unframed but has 2-inch sides painted gray so it can be hung without a frame. 

A certificate of authenticity accompanies all paintings.
Madame's name purposely misspelled.
Images in-situ may not be to scale.

About the artist-
The works of Monet, Pissarro, Sisley and Morisot showed Casey-Mason a language of painterly skills that she was able to appreciate and learn from. Her early impressionistic works (1995-2010) depict landscapes, farms, nature, buildings, marine paintings, rural scenes and still lifes’. In 2002, she attended her first workshop in Monet's gardens which inspired a dream to live in France. After her second workshop in the south of France, she left her corporate job, sold her home in the U.S. and moved to the countryside of France. The landscape that had so inspired her became her life. She created light filled gardens with blooms and veggies visited daily by birds and bees. Her gardens became the main focus of the many new paintings.  It was during these years she was unwittingly led to discover the works of Gerhard Richter, Joan Mitchell and Jackson Pollack. Her imagination was stirred by their use of colors, expressive brushstrokes, the reliance on intuition and their individuality. Casey-Mason realized a personal creative break through and adopted their approach which has dominated her art making over the past ten years. Celebrating this freedom, her love of color and wonder now translates onto her canvases within the style of abstractions which are never far from the rhythms of nature. the hues sitting well and resonating with intuitive marks.
Casey-Mason now resides in the U.S.
 
Artist Statement-
"Before starting a painting I spend a lot of time deciding upon color combinations and experimenting with different mediums. Whether I paint to music or start each session unscripted, I begin by putting a paintbrush (knife, pen, marker etc.) to canvas, making marks haphazardly and reacting intuitively to the canvas. The moment by moment process of manipulating the paint (often times scraping off and reapplying) begins to reveal the inspiration for the piece...a place...a time...a feeling...or an experience that had a profound effect on me. It's at this time I step back and use my thoughts to fine tune the piece and make the changes necessary to complete the image. Whether it's minutes, hours or days, eventually I do know when the canvas no longer wants more of me and it is done. 
Life doesn’t provide the chance to redo things or the chance to always determine the end result of things. For me, creating art does."
-Peggy Casey-Mason
“Madame Baa-Rhône’s Place”...Memories of France...

As I relived the times in which I viewed Madame’s property for sale my memory reminded me of several things I hadn’t considered when mulling over whether to buy her antique cottage. Each time I visited, Madame would be standing in her garden-hand on one hip-a sickle
in the other and never with a smile on her face. Completely wet behind the ears, I was immediately drawn to the charm of her wreck of a place (of course I didn’t think of it as a “wreck” then...I thought it was lovely). Although I did make an offer for her property I decided to pull out as my gut told me “don’t do it”.  As I worked on this painting for days, scraping off several iterations, my thoughts brought me to the real reason I pulled out of the deal. Madame’s property was down a long rural road with no neighbors in sight (not ideal for someone living alone). Her cottage was surrounded by old dilapidated farm buildings guaranteed to be standing till they fell on their own (buildings aren’t knocked down in France like they are in the US) and heaven knows what creatures were happy to be hanging out in them! 

The artwork is unframed but has 2-inch sides painted gray so it can be hung without a frame. 

A certificate of authenticity accompanies all paintings.
Madame's name purposely misspelled.
Images in-situ may not be to scale.

About the artist-
The works of Monet, Pissarro, Sisley and Morisot showed Casey-Mason a language of painterly skills that she was able to appreciate and learn from. Her early impressionistic works (1995-2010) depict landscapes, farms, nature, buildings, marine paintings, rural scenes and still lifes’. In 2002, she attended her first workshop in Monet's gardens which inspired a dream to live in France. After her second workshop in the south of France, she left her corporate job, sold her home in the U.S. and moved to the countryside of France. The landscape that had so inspired her became her life. She created light filled gardens with blooms and veggies visited daily by birds and bees. Her gardens became the main focus of the many new paintings.  It was during these years she was unwittingly led to discover the works of Gerhard Richter, Joan Mitchell and Jackson Pollack. Her imagination was stirred by their use of colors, expressive brushstrokes, the reliance on intuition and their individuality. Casey-Mason realized a personal creative break through and adopted their approach which has dominated her art making over the past ten years. Celebrating this freedom, her love of color and wonder now translates onto her canvases within the style of abstractions which are never far from the rhythms of nature. the hues sitting well and resonating with intuitive marks.
Casey-Mason now resides in the U.S.
 
Artist Statement-
"Before starting a painting I spend a lot of time deciding upon color combinations and experimenting with different mediums. Whether I paint to music or start each session unscripted, I begin by putting a paintbrush (knife, pen, marker etc.) to canvas, making marks haphazardly and reacting intuitively to the canvas. The moment by moment process of manipulating the paint (often times scraping off and reapplying) begins to reveal the inspiration for the piece...a place...a time...a feeling...or an experience that had a profound effect on me. It's at this time I step back and use my thoughts to fine tune the piece and make the changes necessary to complete the image. Whether it's minutes, hours or days, eventually I do know when the canvas no longer wants more of me and it is done. 
Life doesn’t provide the chance to redo things or the chance to always determine the end result of things. For me, creating art does."
-Peggy Casey-Mason
“Madame Baa-Rhône’s Place”...Memories of France...

As I relived the times in which I viewed Madame’s property for sale my memory reminded me of several things I hadn’t considered when mulling over whether to buy her antique cottage. Each time I visited, Madame would be standing in her garden-hand on one hip-a sickle
in the other and never with a smile on her face. Completely wet behind the ears, I was immediately drawn to the charm of her wreck of a place (of course I didn’t think of it as a “wreck” then...I thought it was lovely). Although I did make an offer for her property I decided to pull out as my gut told me “don’t do it”.  As I worked on this painting for days, scraping off several iterations, my thoughts brought me to the real reason I pulled out of the deal. Madame’s property was down a long rural road with no neighbors in sight (not ideal for someone living alone). Her cottage was surrounded by old dilapidated farm buildings guaranteed to be standing till they fell on their own (buildings aren’t knocked down in France like they are in the US) and heaven knows what creatures were happy to be hanging out in them! 

The artwork is unframed but has 2-inch sides painted gray so it can be hung without a frame. 

A certificate of authenticity accompanies all paintings.
Madame's name purposely misspelled.
Images in-situ may not be to scale.

About the artist-
The works of Monet, Pissarro, Sisley and Morisot showed Casey-Mason a language of painterly skills that she was able to appreciate and learn from. Her early impressionistic works (1995-2010) depict landscapes, farms, nature, buildings, marine paintings, rural scenes and still lifes’. In 2002, she attended her first workshop in Monet's gardens which inspired a dream to live in France. After her second workshop in the south of France, she left her corporate job, sold her home in the U.S. and moved to the countryside of France. The landscape that had so inspired her became her life. She created light filled gardens with blooms and veggies visited daily by birds and bees. Her gardens became the main focus of the many new paintings.  It was during these years she was unwittingly led to discover the works of Gerhard Richter, Joan Mitchell and Jackson Pollack. Her imagination was stirred by their use of colors, expressive brushstrokes, the reliance on intuition and their individuality. Casey-Mason realized a personal creative break through and adopted their approach which has dominated her art making over the past ten years. Celebrating this freedom, her love of color and wonder now translates onto her canvases within the style of abstractions which are never far from the rhythms of nature. the hues sitting well and resonating with intuitive marks.
Casey-Mason now resides in the U.S.
 
Artist Statement-
"Before starting a painting I spend a lot of time deciding upon color combinations and experimenting with different mediums. Whether I paint to music or start each session unscripted, I begin by putting a paintbrush (knife, pen, marker etc.) to canvas, making marks haphazardly and reacting intuitively to the canvas. The moment by moment process of manipulating the paint (often times scraping off and reapplying) begins to reveal the inspiration for the piece...a place...a time...a feeling...or an experience that had a profound effect on me. It's at this time I step back and use my thoughts to fine tune the piece and make the changes necessary to complete the image. Whether it's minutes, hours or days, eventually I do know when the canvas no longer wants more of me and it is done. 
Life doesn’t provide the chance to redo things or the chance to always determine the end result of things. For me, creating art does."
-Peggy Casey-Mason
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“Madame Baa-Rhône’s Place”- oil painting Painting

Peggy Casey-Mason

United States

Painting, Oil on Canvas

Size: 24 W x 36 H x 2 D in

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About The Artwork

“Madame Baa-Rhône’s Place”...Memories of France... As I relived the times in which I viewed Madame’s property for sale my memory reminded me of several things I hadn’t considered when mulling over whether to buy her antique cottage. Each time I visited, Madame would be standing in her garden-hand on one hip-a sickle in the other and never with a smile on her face. Completely wet behind the ears, I was immediately drawn to the charm of her wreck of a place (of course I didn’t think of it as a “wreck” then...I thought it was lovely). Although I did make an offer for her property I decided to pull out as my gut told me “don’t do it”. As I worked on this painting for days, scraping off several iterations, my thoughts brought me to the real reason I pulled out of the deal. Madame’s property was down a long rural road with no neighbors in sight (not ideal for someone living alone). Her cottage was surrounded by old dilapidated farm buildings guaranteed to be standing till they fell on their own (buildings aren’t knocked down in France like they are in the US) and heaven knows what creatures were happy to be hanging out in them! The artwork is unframed but has 2-inch sides painted gray so it can be hung without a frame. A certificate of authenticity accompanies all paintings. Madame's name purposely misspelled. Images in-situ may not be to scale. About the artist- The works of Monet, Pissarro, Sisley and Morisot showed Casey-Mason a language of painterly skills that she was able to appreciate and learn from. Her early impressionistic works (1995-2010) depict landscapes, farms, nature, buildings, marine paintings, rural scenes and still lifes’. In 2002, she attended her first workshop in Monet's gardens which inspired a dream to live in France. After her second workshop in the south of France, she left her corporate job, sold her home in the U.S. and moved to the countryside of France. The landscape that had so inspired her became her life. She created light filled gardens with blooms and veggies visited daily by birds and bees. Her gardens became the main focus of the many new paintings. It was during these years she was unwittingly led to discover the works of Gerhard Richter, Joan Mitchell and Jackson Pollack. Her imagination was stirred by their use of colors, expressive brushstrokes, the reliance on intuition and their individuality. Casey-Mason realized a personal creative break through and adopted their approach which has dominated her art making over the past ten years. Celebrating this freedom, her love of color and wonder now translates onto her canvases within the style of abstractions which are never far from the rhythms of nature. the hues sitting well and resonating with intuitive marks. Casey-Mason now resides in the U.S. Artist Statement- "Before starting a painting I spend a lot of time deciding upon color combinations and experimenting with different mediums. Whether I paint to music or start each session unscripted, I begin by putting a paintbrush (knife, pen, marker etc.) to canvas, making marks haphazardly and reacting intuitively to the canvas. The moment by moment process of manipulating the paint (often times scraping off and reapplying) begins to reveal the inspiration for the piece...a place...a time...a feeling...or an experience that had a profound effect on me. It's at this time I step back and use my thoughts to fine tune the piece and make the changes necessary to complete the image. Whether it's minutes, hours or days, eventually I do know when the canvas no longer wants more of me and it is done. Life doesn’t provide the chance to redo things or the chance to always determine the end result of things. For me, creating art does." -Peggy Casey-Mason

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:24 W x 36 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

About the artist- Casey-Mason was exposed to the language of painterly skills by studying the works of Monet, Pissarro, Sisley, and Morisot, which she appreciated and learned from. Her early impressionistic works from 1995 to 2010 portrayed landscapes, farms, nature, buildings, marine paintings, rural scenes, and still lifes. In 2002, she attended her first workshop in Monet's gardens, which inspired her dream to live in France. After attending her second workshop in the south of France, she sold her home in the U.S. and left her corporate job to move to the French countryside. The landscape that had inspired her became her life, and she created light-filled flower and vegetable gardens. Her gardens became the main focus of her many new paintings. During these years, she discovered the works of Gerhard Richter, Joan Mitchell, and Jackson Pollock, whose use of colors, expressive brushstrokes, intuition, and individuality stirred her imagination. Casey-Mason adopted their approach, which has dominated her art making for the past ten years, celebrating her freedom, love of color, and wonder on her canvases through abstractions that are never far from the rhythms of nature and life experiences. The hues sit well and resonate with intuitive marks. Casey-Mason now resides in the U.S. Her landscapes and abstracts have found homes in New York, New Jersey, Massachusetts, Michigan, Pennsylvania, Connecticut, Minnesota, California, Georgia, North Carolina, Australia, Mexico, France and England. Artist Statement- "Before starting a painting I spend a lot of time deciding upon color combinations and experimenting with different mediums. Whether I plan to paint to music or start each session unscripted, I begin by putting a paintbrush (knife, pen, marker etc.) to canvas, making marks haphazardly and reacting intuitively to the canvas. The moment by moment process of manipulating the paint (often times scraping off and reapplying) begins to reveal the inspiration for the piece...a place...a time...a feeling...or an experience that had a profound effect on me. It's at this time I step back and use my thoughts to fine tune the piece and make the changes necessary to complete the image. Whether it's in minutes, hours, days or even months, eventually I know when the canvas no longer wants more of me and it's done. Life doesn’t provide the chance to redo things or the chance to always determine outcomes. For me, creating art does and I relish in that.

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