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United States
Painting, Fabric on Soft (Yarn, Cotton, Fabric)
Size: 96 W x 72 H x 2 D in
Ships in a Crate
Over and over during the painting of this series I had to ask myself where art stopped and where propaganda began. As I reproduced Bourke-White’s famous image, I realized how well she understood her audience and the limitations of emotional information they could absorb. She carefully staged her photo. Though every portrait in the frame is heartrending, Bourke-White placed the most defiant, healthiest man front and center, the most emaciated and beaten men on the fringes. Despite the horror, grateful for the small shield of her camera, she was still present enough to consider both her subjects and her audience. There is sensitivity. There is respect. Which is the opposite of propaganda scapegoating and vilifying entire races; glorifying a chosen few’s suppression of others with images of generations of blonde and blue eyed “heros” with bayonets. It is not a matter of perspective. It is not subjective or open to interpretation. It is also not clear in it’s intent or transparent in it’s approach. Therefore, in Men At The Gate, the fragile translucence of the veil that casts this bloody shadow of suppression shows what’s behind the curtain.
Painting:Fabric on Soft (Yarn, Cotton, Fabric)
Original:One-of-a-kind Artwork
Size:96 W x 72 H x 2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
I'm a graduate of Otis, and am currently getting my MA/PhD in Jungian Archetypal Studies at Pacifica (where the Joseph Campbell library is housed). Injustice is a thread that emerges in my work often. Currently, my work is concerned by movement — gale force winds and escalating drama in nature, which is never constant. The more humans try to conquer it, the less we have a grasp on because the multiverse is evolving the same way humans have. Dogma in science and religion is holding us back from our evolution, from resonant connectivity. The more we cling to anachronistic ideas, the more painful our evolution will be.
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