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Messaggio segreto - Secret Message Painting

Krisztina Megyeri

Hungary

Painting, Acrylic on Cardboard

Size: 8.9 W x 12.2 H x 0 D in

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$165

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About The Artwork

Dolce Amaro/Bittersweet - is a captivating abstract mixed media painting on recycled carton/paper that exudes a sense of mystery and depth. It invites viewers to explore the interplay between the abstract and the symbolic, as well as the juxtaposition of stillness and movement. The violet color choice and the use of collage and calligraphy create a multi-layered artwork that can spark curiosity and contemplation. The primary color in this composition is a rich, velvety violet, which serves as the backdrop for a symphony of elements. It creates a sense of introspection and spirituality. Different shades of violet, from deep purples to light lavenders, are blended to evoke a range of emotions and thoughts. Scattered throughout the composition are collage inserts. These inserts are torn pieces of paper, with letter fragments I wrote, not to transmit words but only the sense of elegant patterns, that introduce an element of surprise and contrast to the piece. They symbolize the layers of life experiences and memories. Delicate calligraphic details in shades of Black, Green, Turquoise, Blue and White appear like whispered secrets. The calligraphy is abstract, resembling a fusion of letters and symbols that invite viewers to interpret their own meanings. The calligraphic elements are meant to add a sense of storytelling to the artwork. Extended Signature and info on the back of the artwork.

Details & Dimensions

Painting:Acrylic on Cardboard

Original:One-of-a-kind Artwork

Size:8.9 W x 12.2 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I have spent about a third of my life in Italy, Hungary and Germany. I belong everywhere and nowhere, so my true home is art. It gives me a feeling of true freedom. My great love is abstract art. I work with clear colors, which is the best way to express my feelings and joy of life. The nuances and different lines and symbols, light dark contrasts that easily fit together and harmonize are my world. My inspiration is nature where I find overwhelming beauty. In my work I use acrylic paints, Posca, oil pastels, graphite etc. which I apply to canvas or various artist papers and combine with each other. All the materials I use are high quality, durable over time and the pictures are covered with a matt sealing varnish which protects against possible mechanical damage such as smearing or abrasion and UV damage. ‘For the artist, like the perfume of Proust's memory, colors and light conditions create sensations, by the conscious memory they are forgotten over time, but they continue to exist in the memory of the senses. For this reason, some elements of the canvases are sometimes combined in a playful way, since they emerge from the world of childhood. Krisztina Megyeri guides us into a serene world, where the joy of seeing skillfully balanced chromatic balances is combined with the wonder of feelings between memories and imagination, it tells its story, its memory representation and its ability to express freedom in art.’ Alessandra Cusinato, art historian and curator Krisztina Megyeri was born in Hungary in 1970, where she lived for eight years. The art-related images of her childhood are the creations of traditional embroiderers and her uncle's abstract paintings that "looked like exploding galaxies." In 1979 when the family moved to Germany near Stuttgart, in the Black Forest,the artist has the opportunity to create strong bonds with nature and at the same time increase her passion for art. In 1992, she moved to Milan, where she attended drawing and painting courses. After graduating in ceramic art and specializing in bronze sculpture, she worked between Italy and Hungary. Her first works were large projects made of bronze and then artistic ceramics. Among the temporary exhibitions, we remember the 1999 exhibition on the theme of the Cross in Milan, with the critical intervention of art historian Prof.

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