VIEW IN MY ROOM
Barbados
Painting, Acrylic on Canvas
Size: 48 W x 60 H x 1.5 D in
Ships in a Crate
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In this work, matter and energy spring forth, spread, crystallise... metastasise. After an age, life leaps anew from the dead, frozen, long-forgotten icy core--elements restlessly circling, coming together and coalescing, seeking final form and organisation.... I began this painting back in March 2008 c.e., & I considered it my one real failure from the very first fling of the paint on the canvas. I knew the painting was off from the moment the paint left the brush, & every stroke thereafter just seemed to make it worse until at last I stopped, duly signed & titled it--I hated it, but it was a work of art & a work of art MUST be signed--& put it away under a sheet, thinking then never to pull it out to view again. I'd been toying with the title "Recrudescence" whilst executing the work, but that seemed not to be the message coming through for me at all. Once I stopped & saw what had resulted, I titled it "Metastasis" to reflect the frozen state of action that had appeared only to apparently stop and lead nowhere. Much later, having no other canvas to work with, I pulled it out again, the idea being to finally bring it to life under the original title (which makes absolute sense when you look up the meaning of the word "recrudescence"!). Once again, though, as soon as I started working on it again with that title in mind the painting seemed not to come together. The colours, especially, seemed inappropriate and I kept thinking it should be more sombre (maybe because both elements of the compound title can refer to certain cancers, which is why I used the whitish-grey colours for the original piece in the first place). Anyway, I was feeling rather frustrated with the piece but vowed to keep working at it and eventually--after nearly 2 months of this--when the additional elements I painted finally reached a high enough level of complexity, they were clearly speaking the original title to me. "Recrudescence" is the recurrence of a disease or its symptoms after a period of improvement--or a period of activity after a long period of quiescence--and that is a way (an ironic one, at least) of looking at the process of creation of this painting.
Original Created:2014
Subjects:Abstract
Materials:Canvas
Styles:Abstract ExpressionismModern
Mediums:Acrylic
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:48 W x 60 H x 1.5 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Barbados.
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Barbados
Fred is a native of the Caribbean island of St. Vincent who was schooled on Barbados and Jamaica, as well as in Toronto. He has worked as a corporate lawyer in the British Virgin Islands and as a biosafety adviser with the United Nations Environment Programme. He resides on Barbados at the moment. Since August 2007 C.E. he has been exploring a hitherto unsuspected calling that is his true talent—action painting, under the nom de guerre “Parhelion”. In his art, the act of creation itself is highlighted as the ultimate message; the method of communication is part of what is communicated. Life is vibrant, riotous energy in constant motion (his Caribbean background reminds him of this constantly!) and the play of raw colours in his work expresses this—a spontaneous demonstration that creativity is the very antithesis of despair. Each piece is an unrepeatable entelechial event expressing the essence of an idea, concept, notion, or feeling. The aim is not to capture the idea and mount it like a butterfly with spikes through its wings; rather, the point of bringing a given work to manifestation is to assist the underlying notion to fly free by giving it extra dimensions in which to move and have its being. Symbolism is directly communicated to the viewer, bypassing pre-conceived notions and striking to the heart of the relationship between observer and observed. Influences include Jackson Pollock, Hans Hoffman, Wassily Kandinsky, and Sam Francis.
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