VIEW IN MY ROOM
Hungary
Painting, Acrylic on Canvas
Size: 11.8 W x 11.8 H x 0.8 D in
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In this small abstract painting, I captured the enchanting beauty of a moonlit night where delicate flowers bloom under the soft, ethereal glow of the moon. The canvas is dominated by shades of blue, violet, and orange, creating a dreamlike ambiance that evokes a sense of tranquility and mystery. The central focus of the artwork is a luminous moon although hidden by clouds, rendered in a soft and gentle shade of pale blue. It radiates a subtle, otherworldly light, casting a gentle glow over the entire scene. The moon's reflection shimmers in the dark, rippling sky, creating a mesmerizing, slightly surreal effect. A cluster of abstract flowers emerges, their petals delicately painted in shades of Rose and soft Yellow. These blooms seem to sway in a gentle nocturnal breeze, their ethereal forms embodying the quiet beauty of the night. Hints of orange accents appear within the petals, adding a touch of warmth and contrast to the predominantly cool palette. The painting captures the magic of a moonlit night, where the serene beauty of nature comes alive under the soft, enchanting radiance of the moon. "Midnight Escape" invites the viewer to lose themselves in the serenity of this abstract dreamscape, where the boundaries between reality and the imagination blur, and the night sky and the flowers become one.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:11.8 W x 11.8 H x 0.8 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Hungary.
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Hungary
I have spent about a third of my life in Italy, Hungary and Germany. I belong everywhere and nowhere, so my true home is art. It gives me a feeling of true freedom. My great love is abstract art. I work with clear colors, which is the best way to express my feelings and joy of life. The nuances and different lines and symbols, light dark contrasts that easily fit together and harmonize are my world. My inspiration is nature where I find overwhelming beauty. In my work I use acrylic paints, Posca, oil pastels, graphite etc. which I apply to canvas or various artist papers and combine with each other. All the materials I use are high quality, durable over time and the pictures are covered with a matt sealing varnish which protects against possible mechanical damage such as smearing or abrasion and UV damage. ‘For the artist, like the perfume of Proust's memory, colors and light conditions create sensations, by the conscious memory they are forgotten over time, but they continue to exist in the memory of the senses. For this reason, some elements of the canvases are sometimes combined in a playful way, since they emerge from the world of childhood. Krisztina Megyeri guides us into a serene world, where the joy of seeing skillfully balanced chromatic balances is combined with the wonder of feelings between memories and imagination, it tells its story, its memory representation and its ability to express freedom in art.’ Alessandra Cusinato, art historian and curator Krisztina Megyeri was born in Hungary in 1970, where she lived for eight years. The art-related images of her childhood are the creations of traditional embroiderers and her uncle's abstract paintings that "looked like exploding galaxies." In 1979 when the family moved to Germany near Stuttgart, in the Black Forest,the artist has the opportunity to create strong bonds with nature and at the same time increase her passion for art. In 1992, she moved to Milan, where she attended drawing and painting courses. After graduating in ceramic art and specializing in bronze sculpture, she worked between Italy and Hungary. Her first works were large projects made of bronze and then artistic ceramics. Among the temporary exhibitions, we remember the 1999 exhibition on the theme of the Cross in Milan, with the critical intervention of art historian Prof.
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