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Miss60 Painting
Austria
Painting, Acrylic on Canvas
Size: 63 W x 63 H x 1.8 D in
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About The Artwork
“….If we take the perspective of this scene as our departure point in looking at the new series of paintings Can I change my career for a little fun?, we are instantly struck by a major change in the paradigm that has taken over the past 20 years. In this case, it can be reduced to the following: while it was possible earlier for an advertisement depicting a boy pushing a carrot into the mouth of a little girl to appear without any fear of censorship, this was not the case with a cartoon in which an eye torn out of a small beaver left a slimy trail or an explosion ripped out the intestines of a sweet little squirrel. Nowadays everything has been turned topsy-turvy. The present day sees itself as far less “naïve”. We think that we know much more about ourselves and about children. We are conscious that innocent motifs hide terrible sexual perversions and that the presentation of explicit violence always and only a “show” that, so people think, has no link with reality. As we have pointed out, the paintings of Kaludjerovic asks no questions in this regard. What they do primarily is to confront us with the change in the paradigm and with the as yet unexplained relationship between “pretend“ violence and real violence. . Not one of our views of the universal commercial exploitation of children can remain the same after we have seen the works of Kaludjerovic. On the other hand, these paintings are not the result of any didactic intention on the part of the artist. On the contrary, they are themselves deeply enmeshed in a world governed by our inability to play a direct part in it and hence to change it. It is precisely the closeness of these paintings that disturb us." excerpt from the text "We might come from Hell but we're too young to tell..." by Branislav Dimitrijevic
Details & Dimensions
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:63 W x 63 H x 1.8 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Austria.
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Austria
Dejan Kaludjerović was born in Belgrade, Yugoslavia. He studied at the Academy of Applied Arts in Vienna and gained an MA in visual arts at the Academy of Fine Arts in Belgrade in 2004. For his achievements in visual arts, Kaludjerović was granted an honorable Austrian citizenship. In 2017 Kaludjerović co-founded a Vienna based arts and cultural organization Verein K. Since finishing his studies in 2004, Dejan Kaludjerović has been exploring the conjunction between consumerism and childhood, to analyse identity formation and stability of representational forms. Most of his paintings, drawings, objects, videos and installations, employ the processes of recycling, copying and reenacting, thus creating patterns that simulate mechanical reproduction, and criticise homogeneity embedded in popular culture. Kaludjerović’s work is part of many private and public collections, among others: MUSA, KONTAKT, STRABAG collection and collection of the Artothek des Bundes in Vienna and Salzburg Museum der Moderne; Museum of Contemporary Art, October Salon Collection and City Museum in Belgrade; APT Berlin; Yarat - Centre of Contemporary Art, Baku; National Museum of the Republic of North Ossetia-Alanica, Vladikavkaz, etc. He has exhibited internationally at numerous solo and group shows in Europe, USA, Australia and Asia: 10th Bucharest Biennale, 8th Sinop Biennale, Steirischer Herbst 21, Graz, Austria; Artium Museum, Spain; Salzburger Kunstverein, Salzburg; Kunstraum Niederösterreich and Kunstlerhaus Vienna; Cultural Centre Belgrade (solo); Weltmuseum Wien, Vienna (solo); Museum of Contemporary Art Taipei, Taiwan; Santa Maria delle Croci Ravenna (solo); Museum of Con- temporary Art Belgrade (solo); 6th Athens Biennale, 1st and 4th Beijing International Art Bienniale; CAC Vilnius; Museum of Contemporary Art Vojvodina; Cittadellarte - Fondazione Pistoletto, Italy; Essl Museum (solo); Tokyo Wondersite – Institute of Contemporary Arts, Tokyo; Kunstpavillion Innsbruck; 28th International Biennial of Graphic Art, Ljubljana; Kunsthalle Krems; 43rd, 44th, 45th, 46th and 55th International October Salon Belgrade; Museum of Modern Art Saint-Etienne; 2nd Sinop Biennale, 2nd Bucharest Biennial of Youndg Artists; Landesgalerie Linz am OÖ Landesmuseum, Linz; Prague Quadriennail and Manifesta 4 (archive project), Frankfurt, Germany and 6th Moscow Biennale – Special Project Alanica. The Experimental Method.
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