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Moonlit Knights Painting

Alessandro Neckels

Switzerland

Painting, Acrylic on Canvas

Size: 47.2 W x 27.6 H x 0.8 D in

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Originally listed for $4,270
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About The Artwork

The Moon shines over the Knights while they enter the city limits preparing for the Attack. "Moonlit Knights" was painted during autumn-winter 99, and underwent various revisions until it reached its final appearance. As many of my works, this too came out of my sub-conscious, as layer after layer of memories and sensations dwelt over the canvas, guiding me like a sleepwalker through the labyrinth of my mind. If you watch carefully, you can notice that paint has dripped down from the sky into the green waters, which in the beginning had to be nothing more than a field of red bulbous flowers. Therefore, the white vertical stripes of acrylic became reflections and the grass became a sea, or a lake, the sky turned from a bright blue into a darker shade and then one day, in the middle of the canvas, an almost round bright disc took shape, and it was good to me, and it could be nothing else than the moon. The sky was still almost uniform in color, but something on the border was developing. Clouds! First only thin slivers of blue-white vapour, then more massive formations were generated in the celestial lake hanging over the watery expanse. Day after day the painting was transforming under my eyes, and I (the conscious part of me) could do nothing but watch the birth of a creature I had borne in me for so much time. The flowers began to float on the surface and under the moon they seemed to me like brave knights, marching towards the horizon, preparing for battle. The horizon! It was now clear to me that the flowers were ready to fight against a subtle enemy, lurking far away, not yet in sight. A city. New York, may be. Or Chicago...I'm not quite sure. As the flowers were approaching the urban Cyclops, details popped up. First the taller buildings, than the towers, the lights, and their reflections too got into view. Meanwhile, the sky was undergoing a final transformation, the veil of fog was beginning to rip open, showing the black sky beyond, the final destination, space, and thousand of stars, a whole universe of new possibilities. Then, finally, the hand stopped, and the eye was pleased by what it saw. The conflict between Nature and Man, Light and Darkness, Fulfilment and Emptyness layed now in front of me.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:47.2 W x 27.6 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Q & A with Alessandro Neckels (excerpt) Alice Shay (curator) in conversation with Alessandro Neckels AS: Where do you find your ideas for your pieces? AN: In my mind "¨AS: How much of an influence do you think society has on your work? AN: Society influences my work because I live in this society, and I want to represent and criticize all the wrong aspects of our "civilization", in this sense my work is a political work. It's a struggle against a  predatory and self-destructing society. I try to show what is being done against nature; and with "nature" I mean not only our natural environment but also our bodies and souls, which are also going to be polluted. "¨AS: How do you think society has influenced your identity? AN: Society has tried to influence my identity but has not completely succeeded. Again, society in our world is an exploiting system (not defined by ideology, but by its squalid objects), which tends to uniform and flat out all differences between human beings, which are so important in order to be free and intellectually active. "¨AS: Do you illustrate any dichotomies of identity in your work? If so, how? AN: My work is a continuous paradox. It's difficult to differentiate between the two sides. "¨AS: Do you illustrate the influences of society in your work? If so, how? AN: See above. "¨AS: Do you believe inspiration occurs consciously, subconsciously, or both?  By "¨this I mean, do you think artists are always aware of what influences them? AN: Inspiration is always in the subconscious. "¨AS: What is the purpose of art? AN: Art has no direct purpose, but may help build a better world. "¨AS: Do art need to communicate to be worthwhile/good? AN: Art is art, and communications are intrinsic. "¨AS: What is your opinion of the aesthetic vs. ethical values of art? AN: Well, as I first heard of this, it was I think in an interview to some "very important" art critic during the last Venice Exposition, I almost threw up. What the hell are you talking about, I thought, art has no boundaries, art is a weapon. If used correctly, art can change the world, but you cannot limit art in such a way, using concepts like ethics and aesthetics. "More ethics, less aesthetics" was the slogan of the moment: I think in the art world there is a lot of very sick people.

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