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Motif No.1 Bradley Wharf Boats Painting

Tatyana Fogarty

United States

Painting, Oil on Canvas

Size: 16 W x 12 H x 0.2 D in

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206 Views

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ABOUT THE ARTWORK

You may be wondering why this painting is titled "Motif No.1"? Bradley Wharf in Rockport, Massachusetts, and its replica of a former fishing shack, is well known in art history as "the most often-painted building in America." The original fishing shack was constructed in 1840 but destroyed in the Blizzard of 1978, then the exact replica was built the same year. The shack became a favorite subject of painters of the Art Colony in Rockport as being a symbol of New England maritime life, and also due to its composition and lighting of its location. The color contrast of the red building, the blue water and the blue sky is just amazing - a painter's dream. Materials: Oil on oil-primed Claessens Belgian linen on 1/8 MDF archival art panel, the back of the panel finished with melamine that prevents warping and deterioration. Painting surface is protected with a coat of Gamvar varnish.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

16 W x 12 H x 0.2 D in

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Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Signature member of American Impressionist Society (AIS),Signature Member of Laguna Plein Air Painters Association (LPAPA); and an Artist Member of California Art Club (CAC). All my childhood and youth I lived and breathed music. The transition from playing piano to transferring this inner music on canvas with oil paint happened later in life. I see my art as visual music. I try to bring it to life with harmonious colors, which emanate joy and peace. I infuse each of my brush strokes with its own kind of melody. My hope is that the viewers will hear the sounds and rhythms of that music as they look at my work, and it will generate the same emotions and connections that I had when painting that piece. I am inspired by the way light shapes the landscape, and I strive to capture it on canvas. I often paint en plein air (on location), which allows me to use all my senses to interpret a scene in front of me with a sense of immediacy and honesty. I choose to paint in oils, because I love their robust quality of bright, luminous colors, which are easily bendable and capable of retaining texture and showing brushstrokes. My favorite starting point for the landscape painting is the golden light of late afternoon, known as the “magic hour”, which creates the most intriguing and fascinating effects by merging captivating shadow patterns and warm, luminous color of the setting sun.

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