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Mount Fuji (circa 100,000 Years Ago) Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 20 W x 16 H x 0.5 D in

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About The Artwork

Mount Fuji (富士山, Fujisan, Japanese: [ɸɯꜜ(d)ʑisaɴ]), located on the island of Honshū, is the highest mountain in Japan, standing 3,776.24 m (12,389.2 ft). It is the second-highest volcano located on an island in Asia (after Mount Kerinci on the island of Sumatra), and seventh-highest peak of an island on Earth. Mount Fuji is an active stratovolcano that last erupted from 1707 to 1708. The mountain is located about 100 km (62 mi) southwest of Tokyo and is visible from there on clear days. Mount Fuji's exceptionally symmetrical cone, which is covered in snow for about five months of the year, is commonly used as a cultural icon of Japan and it is frequently depicted in art and photography, as well as visited by sightseers and climbers. Mount Fuji is one of Japan's "Three Holy Mountains" (三霊山, Sanreizan) along with Mount Tate and Mount Haku. It is a Special Place of Scenic Beauty and one of Japan's Historic Sites. It was added to the World Heritage List as a Cultural Site on June 22, 2013. According to UNESCO, Mount Fuji has "inspired artists and poets and been the object of pilgrimage for centuries". UNESCO recognizes 25 sites of cultural interest within the Mount Fuji locality. These 25 locations include the mountain and the Shinto shrine, Fujisan Hongū Sengen Taisha, as well as the Buddhist Taisekiji Head Temple founded in 1290, later depicted by Japanese ukiyo-eartist Katsushika Hokusai. Etymology: The current kanji for Mount Fuji, 富 and 士, mean "wealth" or "abundant" and "a man of status" respectively. However, the name predates kanji, and these characters are ateji, meaning that they were selected because their pronunciations match the syllables of the name but do not carry a meaning related to the mountain. The origin of the name Fuji is unclear, having no recording of it being first called by this name. A text of the 9th century, Tale of the Bamboo Cutter, says that the name came from "immortal" (不死, fushi, fuji) and also from the image of abundant (富, fu) soldiers (士, shi, ji) ascending the slopes of the mountain. An early folk etymology claims that Fuji came from 不二 (not + two), meaning without equal or nonpareil. Another claims that it came from 不尽 (not + to exhaust), meaning never-ending. Hirata Atsutane, a Japanese classical scholar in the Edo period, speculated that the name is from a word meaning, "a mountain standing up shapely as an ear (穂, ho) of a rice plant". British missionary John Batchelor (1854–1944) argued that the name is from the Ainu word for "fire" (fuchi) of the fire deity Kamui Fuchi, which was denied by a Japanese linguist Kyōsuke Kindaichi on the grounds of phonetic development (sound change). It is also pointed out that huchi means an "old woman" and ape is the word for "fire", ape huchi kamuy being the fire deity. Research on the distribution of place names that include fuji as a part also suggest the origin of the word fuji is in the Yamato language rather than Ainu. Japanese toponymist Kanji Kagami argued that the name has the same root as wisteria (藤, fuji) and rainbow (虹, niji, but with an alternative reading, fuji), and came from its "long well-shaped slope". Modern linguist Alexander Vovin proposes an alternative hypothesis based on Old Japanese reading */puⁿzi/: the word may have been borrowed from Eastern Old Japanese */pu nusi/ 火主 meaning 'fire master’. In English, the mountain is known as Mount Fuji. Some sources refer to it as "Fuji-san", "Fujiyama" or, redundantly, "Mt. Fujiyama". Japanese speakers refer to the mountain as "Fuji-san". This "san" is not the honorific suffix used with people's names, such as Watanabe-san, but the Sino-Japanese reading of the character yama (山, "mountain") used in Sino-Japanese compounds. In Nihon-shiki and Kunrei-shiki romanization, the name is transliterated as Huzi. Other Japanese names which have become obsolete or poetic include Fuji-no-Yama (ふじの山, "the Mountain of Fuji"), Fuji-no-Takane (ふじの高嶺, "the High Peak of Fuji"), Fuyō-hō (芙蓉峰, "the Lotus Peak"), and Fugaku (富岳/富嶽), created by combining the first character of 富士, Fuji, and 岳, mountain. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:20 W x 16 H x 0.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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