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Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the time of day, the temperature of air, the intensity of light. They record everything which is unusual and unique. Their realm is created out of fragments of the sky, trunks and branches of trees, thickets of bushes, blades and tufts of grass, rushes, hosts of flowers, glittering surfaces of lakes and ponds. The young artists builds that upon the basic elements of artistic technique: colour and light.
It is particularly light which plays a vital and essential part in constructing the mood of his synthetic, rhythmical landscapes. It defines the space, air, movement; evokes the feelings of changeability and flickering. By limiting the pieces of landscape to a sign,-,a clear symbol, Robert Motelski accurately reflects the essence of the complicated and delicate matter of nature and its core. He presents us with the values and poesy of the world which we fail to notice but experience all the time. He convinces us that, apart from conflicts, tension and violence, there exists the beautiful world, unchangeable in its everlasting rhythm of birth and death- the world of nature captivating by its complete peacefulness and balance, harmony and order.
Recalling the tradition of Polish painting of colour and light, the artist created an extremely accurate, impressionistic and emotional interpretation of the places where man can still find solace, relaxation and also beauty.
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Mountains 27 February 11:56
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Mountains 27 February 11:56 Painting

Robert Motelski

Poland

Painting, Acrylic on Canvas

Size: 20.9 W x 15.7 H x 0.8 D in

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About The Artwork

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the time of day, the temperature of air, the intensity of light. They record everything which is unusual and unique. Their realm is created out of fragments of the sky, trunks and branches of trees, thickets of bushes, blades and tufts of grass, rushes, hosts of flowers, glittering surfaces of lakes and ponds. The young artists builds that upon the basic elements of artistic technique: colour and light. It is particularly light which plays a vital and essential part in constructing the mood of his synthetic, rhythmical landscapes. It defines the space, air, movement; evokes the feelings of changeability and flickering. By limiting the pieces of landscape to a sign,-,a clear symbol, Robert Motelski accurately reflects the essence of the complicated and delicate matter of nature and its core. He presents us with the values and poesy of the world which we fail to notice but experience all the time. He convinces us that, apart from conflicts, tension and violence, there exists the beautiful world, unchangeable in its everlasting rhythm of birth and death- the world of nature captivating by its complete peacefulness and balance, harmony and order. Recalling the tradition of Polish painting of colour and light, the artist created an extremely accurate, impressionistic and emotional interpretation of the places where man can still find solace, relaxation and also beauty.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:20.9 W x 15.7 H x 0.8 D in

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Robert Motelski was born in 1977 in Warsaw. In 1997 he graduated from The Art College in Warsaw. In 2002 he graduated from the painting department of The European Academy of Arts with the excellent grade. His diploma superviser is prof. Barbara Szubińska. Previously he had studied in the studios of Antoni Fałat, Andrzej Sadowski and Ewa Pełka. He has had over one hundred individual and group exhibitions. In 2004 he received the scholarship of the Art Promotion Fund granted by the Ministry of Culture. In 2008 he received “Młoda Polska” /Young Poland/ scholarship of the National Culture Center. His artistic interests focus on the study of a landscape and an innovative way of its presentation. Inspirations I'm interested in the rhythm, order and peace of nature. I always start with a study of nature. I transform fragments of reality, removing inessential elements, strengthening the ones which are necessary to me. Simplified to almost abstract, basic forms, a landscape is to take an effect by planes of colour of different painting texture. Subsequently, paintings verging on abstract and reality are created. I reduce a landscape to signs, symbols to show the things which are the most important . I'm inspired by both contemporary and old art. I value C.D. Friedrich and Vermeer and also Malewicz, Mondrian and Colour Field Painting, J. Pollock; the artists associated with the Earth Art, such as J. Turell, A. Goldworthy. The art and philosophy of the East is of a great significance to me as well. Technique I paint on canvas of different sizes, depending on the subjects constituting cycles of reeds, flowers, old buildings, horizons. It is vital for me that the public know what the painting presents, which is not always simple at first glance. That is why I entitle my works depending on the cycle they belong to. I give the exact date- the day, month, time. This is not the time when a picture is being created but the time when a given situation, light , colour, composition could have occurred. In the course of work on a painting, I combine various techniques, most frequently oil and acrylic, as each of them allows for a different effect. I combine roughly, expressively painted planes with touched up forms. My artistic interests focus on the study of a landscape and an innovative way of its presentation.

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