"NON E' PECCATO" Painting
Painting, Enamel on Plexiglass
27.6 W x 39.4 H in
Framed, Ready to Hang
This artwork is not for sale.
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
Il peccato originale non ci sarebbe stato se a mangiare la mela fossero stati dei bambini.
Year Created:
2020
Subject:
Styles:
Mediums:
Mediums:
Painting, Enamel on Plexiglass
Rarity:
One-of-a-kind Artwork
Size:
27.6 W x 39.4 H x 0.2 D in
Ready to Hang:
Yes
Frame:
White
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Italy.
Customs:
Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
Need more information?
Need more information?
LORENZO VILLA
Born April 7, 1973 in Besana in Brianza (MB), where he lives and works today.
He attended the Art Institute "Villa Reale di Monza", where he obtained the diploma of Master of Arts.
Participated in numerous group exhibitions, personal and fairs internationally (Milan, Padua, Tortona, Rome, Naples, Barletta, Latina, Pavia, Ferrara, Menaggio, Bellagio, Lecco, Piacenza, Arcore, Monza, Moscow, Heerenveen, Providence ...and more...), in collaboration with several art galleries.
His works are part of private collections in Italian and foreign (Austria, Belgium, Germany, Holland, Portugal, France, Japan, India, Usa ).
Experimentation and a willingness to be carried away by emotions and impressions dictated by the imagination of observing the world, have always distinguished the works of Lorenzo Villa.
In recent work, "OTHER IMPRESSIONS" (mixed media on plexiglass, painted on both sides), there is a fusion of different periods of his artistic production, where the representation (people, animals and objects), we meet (or clashes), with scenes that border on the abstract - informal. Situations where the dream seems to prevail over reality, in favor of a poetic sometimes direct, sometimes more tightly
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