VIEW IN MY ROOM
United Kingdom
Painting, Acrylic on Canvas
Size: 19.7 W x 15.7 H x 0.8 D in
Ships in a Box
This a painting from my "MorphosisSeries" in this series i am concerned with the metaphors that arise within scientific iconography. the internal landscape of the visceral body has been made visible through magnification and other visual technologies. These images have entered the cultural and artistic field and continue to develop into alternative meanings. The icons I use include the DNA helix, human growth hormone, the female sex hormone and more. The paintings make connections between shared patterns and similarities found across the organic and the inorganic. In this work I am exploring our evolution through the primordial globule that divided and multiplied into life forms.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:19.7 W x 15.7 H x 0.8 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
I am a contemporary fine artist of Kenyan-Indian origin based in London working at Space Studios in Bow. My paintings explore the intangible in life and the fabric of the universe. I question the structures of experience and consciousness that the phenomenological philosopher Merlau-Ponty investigated in his theories of reciprocity. These find resonance with my practice. My process mimics the human development of memory, intuition, imagination and perception to explore these ideas. I start research to build memories from scientific, philosophical journals, also, stories of people’s relationships and emotional states of being. I follow this by sketching to get familiar with the subject matter. These are then discarded to allow improvisation and imagination to create the work The blank canvas starts with layers of paint that are then starched through with relevant marks that resonate with the subject matter being explored. I represent the 'immaterial' through mark making using various implements such as combs, twigs, silicone rubber tools besides the brush which references the Masai culture who live in close reciprocity with their surroundings. I experienced this whilst growing up in Kenya. Erasure and addition continue until the psychological relationship or condition being explored in the painting manifests itself through the relational sensations of colour and the physical qualities of an assortment of marks
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