Nonchalence (2012) Painting

How not to become an artist of talent when child one stays fascinated by a grandfather painter and a father sculptor on wood? Anne FIOUX so-called FIBEA demonstrates it with brio while becoming a creator of exception that, exactly, followed her domestic instinct in order to shine her artistic vocation while often associating sometimes her mastery of painter watercolorist and pastelliste on supports of precious wood, in various formats, imposing, and to the original contours by which she activates her creative flight. Indeed, after a oil painting period, Anne FIOUX devoted itself to the watercolors and to the pastel in a technical association created for the best of her personality in quest of light and charm where, on the fluid bottom and waving, she defines of ends camaïeux that valorizes the essential of her motives. Of pretty naked slender, of a secret sensuality and to the poses studied under a luminous dynamic washing that triggers a mysterious fairyland, to the call of body with pure lines, discreetly fascinating that vibrates under a well assured profession and to the colors full of sweetness. The floral compositions of FIBEA are not less endearing thanks to their sumptuous expression, detailed with an oddness that allies the felt funds explicit to the poetry and emitted smoothly by the artist. So spreads out and imposes herself a creator stuffed of sap but attentive to the measure and to the agreements painting-matter that make an artist full of mastery and generosity whose art can only seduce of it and to conquer simply. And it is considerable. André Ruellan August 2014 Art Critic