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"Not for Sale" Painting

Sarah Louise Wilson

United States

Painting, Acrylic on Wood

Size: 33.5 W x 35.5 H x 0.6 D in

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This artwork is not for sale.
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About The Artwork

This painting represents a murky and often overlooked part of our American history— purchasing Black people like livestock. This was such a common practice that there are receipts that detail the purchases as if someone were buying merchandise or food — not people. Yes, indeed, the slave owners left a paper trail, and now it is time for their descendants and our government to own up and pay up because we — us descendants of slaves — have the receipts! If you look close, you will see that the wallpaper is a receipt for purchased slaves by one Mr. Wilson. When I found this receipt I was angry and hurt because a truth flooded into me and that is that my last name Wilson is not my real last name but one given to my family by a slave owner. Yes, that is what masters used to do with their slaves— give them their surnames. Another way our black history was taken from us. This woman in the painting represents all of us descendants of slaves who are not afraid to proclaim that we are "NOT FOR SALE".

Details & Dimensions

Painting:Acrylic on Wood

Original:One-of-a-kind Artwork

Size:33.5 W x 35.5 H x 0.6 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My name is Sarah Louise Wilson. I was born in the cold state of Alaska but I consider myself a California girl at heart since we moved to California when I was seven years old. I also lived in Wisconsin for a stint and ate really good cheese. My love for good cheese and cuisine was further fulfilled when I traveled and lived abroad from Greece, Paris, Lebanon, and even Kazakhstan as an adult, but I am jumping ahead. I began painting in my childhood — which, like all childhoods, was traumatic from time to time but also filled with tremendous joy and imagination. Drawing and painting were excellent ways for me to exercise my range of emotions. It had to be around ten years old when I won a national art contest for a drawing I did. A year later, I sketched the birth of Jesus on the back of my father’s blueprints which he brought down to the local newspaper. They not only did a write-up about the art, but they also awarded me with a trophy and some cash. This, in a way, solidified my future vocation, or one of them. I also found filmmaking to be a wonderful way to express myself. However, I have found my way back to painting in the last year during quarantine when the social injustice was too much for me to endure. I needed to paint these feelings out of me and in doing so, I discovered many things about our shared past, present, and future.

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