ORGANIX 11 Painting

ORGANIX came from love for the place where I create. It has been maturing in me for several years, like a seed in the ground. And when I timidly started to materialize an immaterial thought, it became incomprehensible and very not "my style". I had to throw away everything I had created so far - stand like a "tabula rasa" - a blank page and reach the idea from scratch. After long failures, a PARADISE woven from the fascination with nature was created. When the first paintings were created, they were pristine, untouched by civilization. Arcadia of beautiful nature. But there was a false note to it all, wasn't it. It took me a lot of time to solve the mystery - what is wrong with ORGANIXS - why they don't tell the truth. Where is the false note. And then DEATH appeared and it was the mistake, the missing element of the composition. ET IN ARCADIA EGO - and I was in paradise, said death. Complement. Opposite. Jing and Yang. One more word about the painting technique - I called it hybrid because it contains elements of graphics and painting. I build the composition by adding thousands of organic prints - leaves, sticks, bark. I add graphics, I add a painterly stain - I try to get closer to the richness of nature, the fascinating riot of shapes, veins of leaves, the bloodstream of nature.