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Orgasm no.3 Painting

Josemaría Bahena

Mexico

Painting, Acrylic on Paper

Size: 15.7 W x 23.6 H x 0 D in

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About The Artwork

I am done portraying death. I decided to paint a depiction of the ever elusive intercourse. Following and intense period of self torment and severe depression I had finally been revealed a secret, that very same night I danced under the full moon and talked to strangers, that same night I was no longer afraid of dying. What was the point of living with fear? The most obvious step after painting death for months was logically to do life, but before that I had to do forgiveness and grief, letting go of the guilt and self punishment that may come with whatever that was, not for the same particular reason I may have started portraying death and not necessarily in that particular order. Why would anyone bother to explain with words what's supposed to speak by itself? Are these the postmodern equivalents of a manifesto? No, they're just the caption for what I painted.

Details & Dimensions

Painting:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:15.7 W x 23.6 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My paintings are about basic human emotions” Mark Rothko “An artist’s work should be autobiographical, the deeper he looks inside himself, the more universal he becomes” Marina Abramović manifesto. “Painters should resemble their paintings, which end up becoming stand-ins for them, in a sense, for they create, they procreate art, or rather not: it is life they create, the first life, life itself” Yves Klein Whenever I’m invited to talk about my work I like to quote my masters. Klein spoke strongly about the immaterial, and Abramovic’s ideas about the immaterial and universality are also found in Rothko’s statement, I do interdisciplinary works, immaterial and performative. The paintings I am exploring and showing here are snapshots of maybe a sigh, a heartache, or a memory. My work is autobiographical which ends up being universal as stated before. I have studied the life and work of Yves Klein in the Yves Klein Archives in Paris, I consider myself a disciple of him. He dedicated part of his career to free the French painting from the line, by setting color free and creating what he called landscapes of freedom. I believe my paintings are about color as well, though I have attempted to capture color through the line, I want the line colors to be synonyms of sensibility. Every line is a gesture, every color does mean one thing, so I think of my paintings as visual sensibility essays .

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