VIEW IN MY ROOM
United Kingdom
Painting, Oil on Canvas
Size: 23.6 W x 23.6 H x 1.4 D in
Ships in a Box
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Artist featured in a collection
Origins of Life is painted from an image of human embryonic stem cells. Despite their finite, observable physical properties, the stem cells in the image spoke to me of indefinable, intangible uncharted territory and of encountering infinite combinations. I was interested in tracing the contours of the cellular structures, as a way of meditating on the random yet specific nature of their infinitesimal features – striations, craters and ridges. Specifically, in my first experience of pregnancy, I wanted to represent my relationship to the automatic splitting and merging of cells inside and to reconcile the unknown looming before me. Drawing the ambiguous topography of the microscopic formations helped me to imagine delimiting these internal and external processes. The interplay of macro and micro spoke to me of my own particular and universal experience. Origins of Life is about ascribing narrative to all that we see and trying to yield some understanding of phenomena by breaking it down to its smallest, most elemental building blocks.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:23.6 W x 23.6 H x 1.4 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Rachel has made work all of her life to translate aspects of experience escaping spoken language. Her painting practice uses analogue and digital processes. She manipulates found imagery by hand and in Photoshop, to produce a foundational composition for painting. The images share a loose conceptual framework in which meaning can shift and emerge. Arbitrary contrasts trigger a process of reconciliation, while content divested of context simultaneously liberates and disorientates. The work is inherently political in its free disengagement with and re-invention of content. Composite images are transferred to canvas and warped within Classical conventions of painting. Thus the work speaks to changing mores of value systems. Rachel is interested in image trajectory and staying power—in memory, hard drives or transmission over the Internet. By re-presenting signs and symbols, she highlights an ambiguity of native origin behind their enduring presence, as recirculated shorthand for fictive and historical narratives. Influences are vast, but important among them are ideas of Jacques Rancière, Heidegger and performance art theorist Peggy Phelan, whose work on negation and the phantom (Female) body also resonates in Rachel’s curatorial practice and work with other artists.
Artist featured by Saatchi Art in a collection
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