VIEW IN MY ROOM
Germany
Painting, Acrylic on Glass
Size: 35.4 W x 35.4 H x 2.2 D in
Ships in a Crate
"Oscillation" is a part of my series of "Spiegelbilder" (reflections; mirror paintings) and consists of a round mirror, 90 cm diameter, mounted on a recessed wooden disk in order to "float" on the wall with some distance. The silver paint on the mirror blends with the color of the mirror itself, as well as the abstract structure of the painting creates a fascinating interplay between clear reflections of the mirror background and matte silver parts of the paint. Thus, the reflection of the mirror background is calibrated and the light is being reflected in multiple ways. The object is ever-changing during the day, according to the daylight and also the movement of the beholder. It is an example of my fascination for space and my ongoing research on spatial phenonema and perception.
Painting:Acrylic on Glass
Original:One-of-a-kind Artwork
Size:35.4 W x 35.4 H x 2.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Germany
Ingo Schrader's work moves in the dialectic between the actually invisible phenomenon of space and the experiential space of the body as an instrument of perception. The subject is complex enough, so that his explorations make use of many different techniques and disciplines. Fine arts, architecture and photography are his main fields of work. The simplification and reduction to the essential is an intensive process to condense the artistic statement to such an extent that the intensity / identity of the work is created. A balance between formal reduction and abundance, between sensuality and rationality, between calculation and chaos is the goal. In this sense, Ingo Schrader's minimalistic, abstract works, which test one's own spatial experience, are just as much a part of the work as the figurative nude drawings, which focus on the human body, the instrument of perception. These drawings and watercolours also show the search for reduction to the essential, the description of the motif often with only one single line. In short, it is about nothing less than the big picture: space and time and our existence as sentient beings, bodies in space.
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