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Patched Painting

Anashrita Henckel

United Arab Emirates

Painting, Gouache on Paper

Size: 15 W x 17 H x 1 D in

Ships in a Box

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This artwork is not for sale.
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About The Artwork

With stitches, patches and burnt sections, this piece explores and expresses emotional hurt. Often invisible to others and hidden behind a mask, our hurt emotional landscape is laid bare here, showing areas of mending where some temporary measures of healing have taken place. Areas of distraction where a superficial interest has taken attention away from the raw feeling and tempered it for a while. Areas of new structures are revealed in the burnt away holes, representing the reconstruction of new beliefs that have emerged from the pain. In a sense, this piece is a recognition of the raw depths of human pain yet also a reminder of our ability to heal, regrow and adapt. Patched comes mounted and framed and the dimensions include the measurements of the framed piece. It will be carefully boxed and is ready to hang as soon as you receive it.

Details & Dimensions

Painting:Gouache on Paper

Original:One-of-a-kind Artwork

Size:15 W x 17 H x 1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The order and perfection of geometry captured me from the moment my father put a compass in my hand, at the age of 4. Geometry often appears in my art and for me, it can be a symbol of order, structure and rules. To juxtapose fragments of perfectly formed geometry beside intuitive mark making, abstract swirls of colour or photo layered images and drawings fills me with a sense of satisfaction as it somehow mirrors our lives - a multiplicity of seemingly random events that may have some order beneath. Often, my artwork has a deeper symbolic narrative that allows it to almost be read and understood on a variety of levels. Certain geometric shapes and designs can be seen to have symbolic meaning in Islamic art, I sometimes use this to build in a deeper layer of symbolism into my work. Having lived the first part of my life in the diverse island of Trinidad, in the caribbean, I am drawn to vivid colours and textures, perhaps somehow harking back to the colours of carnival. Yet my personal studies into Islamic, Euclidean and non Euclidean geometry have opened up a world of psychological and spiritual symbology that has allowed me to explore bigger themes such as order and chaos; predetermination and freedom; intuition and reason.

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