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Pic épeichette Painting

Valerie Agneray

France

Painting, Oil on Canvas

Size: 9.8 W x 9.8 H x 0.8 D in

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$338

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About The Artwork

Quels liens unissent les oiseaux à la biodiversité ? C’est la question que je me pose quand j’observe les oiseaux et que je les représente. En 2020, j’ai pris l’initiative de participer au comptage des oiseaux des jardins organisée par la LPO (Ligue pour la protection des oiseaux) et le MNHN (Muséum national d’Histoire naturelle). Pendant 1 heure des espèces se sont posées dans le jardin et nous les avons répertoriées sur la fiche de comptage. Un oiseau a été difficile à identifier, à l’aide de la fiche de comptage, nous avons déterminé que c’était un moineau friquet. Quelques instants après l’envoi du comptage à LPO je reçois un mail me demandant si j’étais bien sûre d’avoir vu cet oiseau ? J’ai envoyé la photo pour vérification, c’était en réalité une mésange huppée, la virgule noire sur le côté de sa tête nous avait induit en erreur. J’ai retenu que le moineau friquet devient rare à Paris et que cet outil de science participative est très utile à l’étude de la biodiversité.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:9.8 W x 9.8 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

As an artist, I seek to produce colorful work that questions our relationship with life. Holder of a master's degree in art at the Sorbonne in 2017, I am interested in the delicacy of life and its preservation. Starting from scientific stories, I look for images on Instagram to create drawings and paintings, often in square format. After several exhibitions on birds based on participatory science data from the League for the Protection of Birds, I created a 320 x 200 cm work on the Mediterranean. My oil paintings have a colorful quality created by a search for sensation. The work takes on a changing colorful nature throughout the day as I use fluorescent pigments and gold leaf which react to different lights. I use ancestral oil painting techniques to remove acrylic from the canvas primer. This gives a unique texture to the canvas and increases the sensation of color. I like works where we can distinguish attention to gesture in relation to form, as in the works of Rembrandt, Velasquez or Manet and in each work, I seek to get closer to this gesture. I have exhibited in Paris, Cannes and Banyuls-sur-Mer. My works have been purchased in France, England and the United States.

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