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Pink Cross Painting
United Kingdom
Painting, Digital on Paper
Size: 23.6 W x 21.3 H x 0 D in
Ships in a Tube
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About The Artwork
I am a visual artist based in the city of Norwich in the UK, primarily working in ink, acrylic paint, and digital media. The essence of my work is about ideas, the influence of one idea on another, and the transformation that they undergo through being brought together. The intention of his pictures is to make sense of the world through formal repetition, poetic reality and the mythological aspects of pop art. The work is an original iPad painting printed with archival inks on Hahnemuhler photorag 300gsm paper. The print size is 54 x 60 cm, the paper size is 64 x 70 cm. The work is one of a series from a long-term project to reimagine pop art in a digital world. This is a durational project: I'll embrace it for ten years and see where it leads, allowing a collision between formalism and improvisation in my choices of colours and I am finding a new discipline to enact. I am attracted by zombie formalism as a source concept, echoing the way in which the Fauves gladly embraced a derogatory and dismissive term and made it a virtue.
Details & Dimensions
Painting:Digital on Paper
Original:One-of-a-kind Artwork
Size:23.6 W x 21.3 H x 0 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
My pictures are often intensely coloured and use more-or-less recogniseable images – geometric forms, portraits, landscapes, interiors, still life, imagery from popular and high culture - but rendered and juxtaposed in such a way as to defamiliarize the subjects. They are part of a long series of reflections on the nature of picture-making. These are interconnected works and in them I try to take account of the history of meaning and form in visual art and my purpose is to see how these can be reimagined using contemporary processes in an art world now without movements or consensus. I am particularly concerned with how visual representation can highlight mythology and social change. In the last two years I have been moving towards printmaking and working with combinations of analogue and digital methods. I have begun to incorporate painting and photography, particularly photomontage into my pictures and to work with digital printers to create works on paper. What I used to think of as a painting I now see as a temporary halt in a process.
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