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Painting, Acrylic on Canvas
Size: 14.2 W x 10.2 H x 1.6 D in
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These Acrylic skin paintings are my response to the Plato’s Cave analogy. The analogy appears in Plato’s 'The Republic'. I’ve always been fascinated by the idea of what is real and what is not, and how what is real for someone is not necessarily the same reality for someone else. So much relies on perception and enlightenment.. The Plato series of paintings was exhibited at 78 Derngate Museum. The House is the only house in England designed by Charles Rennie Mackintosh There are many interpretations of Plato’s Cave analogy, below is one from The British Museum’s website: Imagine a group of people sitting in the gloom of a cave.They are prisoners, bound by their hands and feet, unable to move freely. All they can do is sit in a line and look straight ahead at the wall of the cave. Now imagine that you are one of those shackled prisoners. However, you do not know you are a prisoner because you were born in the cave and it is the only life you have ever known. Because of the darkness of the cave, you cannot even see the other prisoners - although you know they are there, because you can talk to each other. Every day on the cave wall in front of you, you see shapes pass back and forth. You and your fellow prisoners recognise these different shapes and give them names such as 'cat' or 'tree' or 'girl'. Amongst yourselves, you see who can be the best at telling which image will come along next. You are satisfied with your life because you cannot imagine anything different. But unknown to you, your life in the cave is not a full picture of the truth If we look behind you and your fellow prisoners, we can see that a walled roadway passes through the cave. People carry life-sized cut-outs of objects such as 'cats', 'trees' or 'girls' along this path. If we pull back further still, we can see a fire burning away fiercely. This fire creates shadows of the life-sized cut-outs that are carried across in front of it. It is these shadows that you and the other prisoners are watching on the cave wall. What you think is true, is actually only a flat, shadowy copy of reality. Now, imagine you are suddenly freed from your chains. You stand up and turn around for the first time...You cannot understand what you are seeing! A bright light that dazzles you! Clear objects and people that before you had only seen in gloomy shadows! Confused, you walk past the fire and the walled roadway, and towards another light - and you find yourself outside in fresh air and daylight. The darkness of the cave has been left behind and for the first time in this new, outside world, you see colours and shapes. How terrible to have only seen shadows before! Now your eyes have adjusted to the light, you look up and see the sun shining brightly in the sky. You begin to think - if the fire in the cave was responsible for creating those shadows on the wall, then it must be the sun that brings this better world to life. Realising that you have been living a lie and have only been watching a shadow-play, you rush back to the other prisoners to tell them the truth. But they laugh at you and do not believe what you say! How can they? They have never seen anything but the inside of the cave and the shadows projected on the wall.
Acrylic on Canvas
One-of-a-kind Artwork
14.2 W x 10.2 H x 1.6 D in
Not Framed
Not applicable
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United Kingdom
I trained in Textile Structures and then Fine Art, in the UK, Italy, then finally in Spain for my Masters. I live and work in Northamptonshire, England, but also spend a great deal of time in Eryri in Wales. Paintings begin with an idea or just begin. Just one stroke, dab, or the sweep of a paint filled brush changes a painting–in-progress, I respond to those changes. Acrylic paint is my main material and in the last few years I've worked with acrylic paint-skins, it’s a conversation on canvas. My studio overlooks a brook, public space and historic Church, it is light, airy and after some studios I've worked in, warm!
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