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Playdate Alone Painting

Shahrzad Amin

Canada

Painting, Acrylic on Wood

Size: 22 W x 15.5 H x 2 D in

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About The Artwork

This new series is multidisciplinary as the paintings integrate drawing, painting, photography, wood burning, and collage making. We have found ourselves in a state of global isolation due to the devastating COVID-19 pandemic. This unprecedented degree of social isolation has made people hungry for connections – especially children. Such circumstances have inspired me to create a new series of paintings highlighting children's isolation as an effect that can be shared and, perhaps, overcome through compassionate and collective, social engagements. In my work entitled "Playdate alone," the subjects are exclusively children. They connect viewers with the iconography of authenticity, simplicity, happiness, and hope as values that are often missing in adulthood. I make marks on wooden canvas by burning it into its layered surface, using electric elements. Using wood as a canvas material that originates from nature, is meant to convey the unique individual personalities and how each piece relates to the whole – as can be psychologically seen during playdates. Layering and delayering the surface of wood through the act of burning allows me to convey the complexity and ambiguity of existence.

Details & Dimensions

Multi-paneled Painting:Acrylic on Wood

Original:One-of-a-kind Artwork

Size:22 W x 15.5 H x 2 D in

Number of Panels:2

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Shahrzad Amin is an Iranian-Canadian award-winning interdisciplinary artist with more than twelve years of diverse experiences as a sculptor, multimedia and installation artist, model designer, stop-motion artist, and potter. She creates socially engaging art pieces that invoke thoughts and encourage conversations about socio-cultural issues that surround us. Shahrzad makes original pieces that truly move people to feel intense emotions. Her interest in fundamental social issues such as democracy, human rights, equality, and migration has informed an art practice examining diasporic and socio-cultural subjectivities through the lenses of art practice, sensory ethnographic filmmaking, architectural design, gender, and language. Her works highlight a social openness and necessity for global international connectivity, by applying the historical eastern architectural figures such as arch bridges as a metaphor for overcoming cultural distances. She obtained a BFA from Tehran University of Art in 2010 and a MFA from OCADU in 2020.

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