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Polyptych of worries Painting

Maurizio Meldolesi

Italy

Painting, Oil on Wood

Size: 47.2 W x 50.9 H x 0.8 D in

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About The Artwork

The "Polyptych of worries" talks about false idols, which can create anxiety and insecurity. It’s inspired by the Polyptychs by Carlo Crivelli. It is is an oil on poplar wood with a gilded background, and consists in 6 framed panels. The artwork offers an experience of augmented reality through the Artivive application: each panel of the painting will reveal its hidden symbologies. You can also experience the augmented reality also in front of the monitor of your computer. Try it! According to my needs, Artivive has programmed the application to adapt to the language of the smartphones: currently it is available in French, Italian and, for any other language, English. The haloes are engraved with the esoteric symbol of perfection, circle (feminine) and dot (masculine), but also represents ancient divinities, as well as the alchemical symbol of gold and sun. Each panel is a tarot card. In the Roman panel (The Magician) the character has skin spots, caused by mercury poisoning. Symbols of salt, mercury and sulfur are tattooed on the hand. The inscription "Fortune accompanies virtue" is found, depicted with the caduceus of Mercury, in the Dampierre castle. In addition to the cup, the other three symbols of the minor arcana are unveiled by the golden spiral: the coin, the tree and the brooch on the hat, ending the path in the left eye, replica of the symbols on the halo. The Egyptian panel (The Death) is taken from 1929 "skeleton dance". The esoteric symbol of death is not negative but means renewal. The symbol of the Rosicrucians and of the rebirth, derives from the Rider-Waite tarot. The black object in the hand is the tail of the black cat used as a cello, but here it represents the mysterious Egyptians cylinders. The Etruscan Panel represents the "Wheel of fortune". The wheel quotes the cyclicity of life according to a medieval iconography. The character is Vertun, the Etruscan divinity of fortune. The hat shows the Etruscan sphinx of Chiusi. The mouse was completely painted and then intentionally damaged with a chisel, to witness the state of the artworks in the ancient churches of my country after the violent earthquake of 2016. Unfortunately, the buildings had not been adapted to seismic standards, so we lost some artworks forever. In the Slavic panel (The Devil), these characters represent a witches sabbath. It’s from "Night on Bald Mountain ", where the demoniac crescendo stops thanks to the sound of bells. The formula « Solve and Coagula », was used by alchemists to evolve and regenerate themselves. The Greek panel (Temperance) tells about the asphyxiant crescendo of sorcery that apparently no one can stop. This is Temperance, which continually pours the vital fluid from one amphora to another, regenerating life. The words on the buckets remind us that the segment is inspired by a Goethe ballad, in turn inspired by an episode of the Greek dialogue "False lovers". The sun hieroglyph symbolizes its regenerating spirit. The Sumerian panel (The Emperor) derives from one of the "Silly simphonies" short movie, in which this king behaves apparently in an illogical way. The heraldic eagle is that of the tarot emperor, but here it represents the Sumerian divinity of storms, war and fertility.

Details & Dimensions

Painting:Oil on Wood

Original:One-of-a-kind Artwork

Size:47.2 W x 50.9 H x 0.8 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born and I live in Macerata, a medieval town in Italy. I started to love art after a trip to Holland, where I was overwhelmed by Rembrandt’s mysterious modulations of light. Then, I have been studying the references of the Dutch Master, up to the analysis of the creative processes of the Renaissance artists, even through studies on the various restoration by museums and retrieving information on several lost masterpieces. Going on with my research, as a self-taught painter I started using formulations of oil colors and supports compatible with those of the “old masters” in order to get a better duration reliability and thinking of their ability to communicate intense emotions. As a result, current issues such as feminicide and racism, or some classic themes like the initiation to Alchemy have been dealt in a contemporary reworking of techniques, styles and iconography of the past, creating in the studio my own compositions in which references to space and time are reduced to essential. I would like to stimulate the public to reflect on the surrounding reality, also through provocations, urging them to observe my artworks with greater attention, and challenging people to discover their several meanings. | Selected Public Collections Italy: S. Caterina church, Fabriano; Civic Museum of art, Monte San Martino; Santa Maria del Buon Consiglio church, Ascoli Piceno; Sacro Cuore church, Ascoli Piceno; Marcucci Museum, Ascoli Piceno; S. Lucia church, Serravalle del Chienti; Egypt: Italian Institut of Culture Cairo; Coptic Ortodox Center, Cairo; Luxembourg: Commune de Bertrange. | Selected Private Collections Belgium; Luxembourg; Egypt; Germany Italy: Milano, Roma, Venezia, Ascoli P., Lodi, Fabriano, Bergamo, Macerata

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