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POSTURE Painting

Alain Rouschmeyer

France

Painting, Acrylic on Canvas

Size: 19.7 W x 19.7 H x 0.8 D in

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$1,710

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About The Artwork

POSTURE - 2022 acrylic on linen canvas 50 x 50 painted edges anti-UV varnish ready to hang The painting represents a woman standing in a contemporary dance posture and placed in the left part of the canvas. Her face shows the finality of great concentration and she is looking at the ground where three roses have been thrown. Her graceful and determined posture is the finality of a triumphant performance. Her uncluttered style of dress is inspired by a contemporary romanticism that plays with the lighting of the scene. The background is dark and suggests the presence of spectators in a large room below. The pictorial technique of this acrylic work integrates a sketchy dimension to take up the features of the original drawing and reinforce the sensation of movement.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:19.7 W x 19.7 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Look, observe, feel and imagine, as if to better perceive things in life and everyday life. The artist from an architectural universe never stops understanding and allowing himself to be seduced by the human journey in given spaces with this alternation of place and posture. The simplicity of a pose that becomes complicit in a space or a space that sublimates the presence of a passage. Like a love story, a particular attitude or a body whose meanings are sometimes unknown. Interpret, script, as if to better define fields of the possible between interior and exterior. This dimension which challenges the inside and the outside, the self and the others, order and disorder, fullness and emptiness or even image and history. These opposites that leave marks and determine how we perceive them. The artist plays with the decor, blurring it as well as sublimating it. Presence or absence as if to give free rein to the imagination of a short one-act story or a three-part triptych. This figurative waltz is enriched by the sketch of a stolen moment, sometimes supported by symbolic graphics that redefine the limits of these opposites to reveal a distinctive evidence. Like an exacerbated passion, the composition is an integral part of his work and complicit in making the subject live in its medium by involving it in its format. Like unfinished lace, between classicism and timelessness, we are invited to appropriate living spaces linked to our walks.

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