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"Puerto Madero, Buenos Aires" Painting

Elisa Chupik, Argentina

Painting, Oil on Canvas

47.2 W x 27.6 H in

Ready to Hang

Sold

$1,850

ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


This artwork of Puerto Madero depicts the architectural contrast of this Buenos Aires area. The red brick docks, which have preserved their historical value, stand out for their age and rustic texture. Next to the modern and glaring buildings around them, the docks are a symbol of the port's history...

Year Created:

2022

Subject:

Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

47.2 W x 27.6 H x 2 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Argentina.

Customs:

Shipments from Argentina may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Elisa Chupik

About the Artist

Elisa Chupik

Argentina

I am an architect, deeply interested in the exploration of the urban. I seek to capture the constitutive elements of cities (buildings, cars, streets, lights), and propose a NEW MORPHOLOGY based on them.
A rupture with the real and true image of each place reflects its essence through an ABSTRACTION, where nothing is defined. This lack of definition is closely linked to the MOVEMENT of cities. The atmosphere is noisy and dynamic; time accelerates and the excess of concrete relays a cold and dehumanized feeling.
I aspire to represent these anonymous spaces of transit, from an urbanistic and pedestrian-centered perspective. I aim to demonstrate the CONTRADICTORY SENSATIONS of the viewer, which sway between a sense of belonging to that dynamic world and the emptiness of this dehumanized atmosphere.

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