Purple P Painting

HI

ENGLISH:
PRICE ON REQUEST.

DANISH:
PRIS OPLYSES VED HEMVENDELSE.

HI FROM

VITA.

My Brothers Final Days.

Read The Description On My HomePage.

www.brejnerskunst.dk

The Experience of Living Paintings.

About my art form, my enthusiasm and appreciation of art:

My paintings have no facade. They are unvarnished, accessible and honest.
I am not concerned with physical configurations, but focus on soleful expression.

My paintings are colorful - I lose myself in colors and work with them intensively
to make them truly com alive.

You are welcome to visit my website and have a look yourself.
See you there!
www.brejnerskunst.dk


Vita Brejner's artwork will be shown in may 2007 at Agora Gallery,
Chelsea, New York.

530 West 25th street, Chelsea, New York.
www.Agora-Gallery
www.Art-Mine.com
'In Pursuit of Abstraction'

Presenting the artist: Vita Brejner
Exhibition Dates: May 4, - May 24, 2007
Reception: Thursday, May 10, 2007, 6-8pm
Gallery Hours: Tuesday - Saturday, 11am - 6pm
Location 530 West 25th Street - Chelsea, New York City.


Press release, by Agora Gallery, New York
Vita Brejners paintings break all the rules. With its raw yet detailed use of organic shapes, Brejners work picks up the expressionist tradition championed by DeKooning. Brejners twist is a jazzy, personal landscape that does not shy away from the suggestions of psychological trauma.

Brejner relies on unpredictability, and her unique muse dances with the energy of improvisation. "The brush and paint lead the way," she insists, and the result is an abstract primitivism, complete with totemic faces and half-seen tableaus emerging from backgrounds that vary between sinister and euphoric.

Brejner says her paintings each hide a story, and her personal archaeology of the process uses the tools of emotional extremes and a liberty with color scheme. "I have to find that particular story," Brejner says. Thick outlines and boundary-free shapes melt and collide, and despite, or perhaps because of, her embrace of a free-associative work process, the stories Brejner discovers in her paintings are viscerally defiant of category.
She becomes not only the creator, but the first viewer of her art as well, offering the first interpretation.