VIEW IN MY ROOM
Australia
Painting, Oil on Plastic
Size: 39.4 W x 39.4 H x 3.9 D in
Artist Recognition
Showed at the The Other Art Fair
Artist featured in a collection
The technical focus of my current practice revolves around verre églomisé, or reverse glass painting. The interest in the process arose from a desire to release painting from its traditional two-dimensional limitations. In my research, I found that media such as music and video are said to occupy the fourth dimension as they are time-based. In this work, I set out to create a painting that could occupy the fourth dimension. The bride is an archetype associated with nostalgia and longing, particularly in a gothic context, and seemed appropriate in the pursuit of capturing past, present and future in one work. The video figure walks in reverse and slow motion until it assimilates with the painted figure (which sits over the video screen).
Original Created:2015
Subjects:Time
Painting:Oil on Plastic
Original:One-of-a-kind Artwork
Size:39.4 W x 39.4 H x 3.9 D in
Frame:Not Framed
Ready to Hang:No
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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Australia
Jennifer Whitten, an American artist, immigrated to Melbourne, Australia, in 2009. At the start of her career, her fastidious, highly skilled manner of working seemed well suited for medical illustration, but Jennifer quickly abandoned medical studies in pursuit of her own artistic investigations. For years, her photorealistic paintings have navigated the aestheticisation of absence and autobiographical nostalgia; and most recently, after an encounter in Italy with a collection of 18th century reverse-glass paintings, she determined that glass would serve as an ideal conduit of these themes. Oil, reverse-glass and representational painting have lengthy histories, but Jennifer’s edgy recontextualisation of these methods upends any hint of the conventional. Incorporating everything from steel, to video, to live music, her complex installations defy the traditional 2D confines set for painting, but preserve its seduction and sincerity. In 2015, Jennifer completed her Masters in Contemporary Art at the Victorian College of the Arts. She was the recipient of the Athenaeum Club Visual Arts Research Award, the University’s most prestigious honor, worth $15,000. Jennifer is also a proud tenant of the Abbotsford Convent, the largest arts precinct in Australia.
Handpicked to show at The Other Art Fair presented by Saatchi Art in Melbourne
Artist featured by Saatchi Art in a collection
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