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Red 220122 Painting

John Alexander Abbott

Greece

Painting, Acrylic on Paper

Size: 11 W x 12.6 H x 0 D in

This artwork is not for sale.
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About The Artwork

Two colours, flowing and intermixing.The flow lines of each colour, however thin, remain distinct. In this sense the colours do not intermix except in some very small areas. The eye of the viewer, though, may consider that the two colours intermix into a new colour that she/he may call brown. Another viewer may call the new colour dark red or, a third one, may call it blurry black. The paper surface, moisted by the water of the dilluted colours, then dried up, has now turned wavy, frizzy. The bumps of the surface reflect the light and look sort of glossy.The glossiness affects the impression of the colours and the viewer identifies it as white colour.It is a game of impressions as the viewer's sight changes positions and angles.

Details & Dimensions

Painting:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:11 W x 12.6 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am a self-taught artist, based in Thessaloniki and active for the last +50 years. Having started with figurative art, I have been through various styles over the years, Impressionism, Surrealism, Byzantine Iconography, Suprematism, Constructivism. Following a steady course towards abstraction. Lately, and after a geometric period, I am experimenting in an even more abstract style that involves liquid acrylic pigment poured over a surface - preferably package paper- and free intermixing of the colours with flow lines formation, often exceeding the painting surface bounds. Mainly inspired by Phenomenology and the ideas of how consciousness functions, my current work can be characterized free and abstract with no use of brushes or other painting tools. The flow of the liquid colours denote the continuous flow of the outer stimuli of the human consciousness, represents the creation of the cerebral time and tries to access pre-consciousness human stages. The images substitute the language and help experience a mystical way to approaching answers to questions dilemmatic, tricky, or bearing no answers at all! My influences include Kazimir Malevich and Lyubov Popova, Byzantine icons, Giorgio Morandi, Kuzma Petrov-Vodkin, the brothers Limbourg, the architects Georgii Krutikov, Mies van der Rohe, Aldo Rossi, Lazar Khidekel, Iakov Chernikov and also, the Japanese culture and its insights like Wabi-Sabi or Suiseki and ceremonial practices like Chanoyu. Finally a big influence is Jazz music, and the atonal music of Iannis Xenakis.

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