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View In My Room

Reflect, submerge, surrender Painting

Richard Heley

United Kingdom

Painting, Acrylic on Canvas

Size: 17.9 W x 24 H x 0.8 D in

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200 Views

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ABOUT THE ARTWORK

Inspired by the beauty of Wandile Mavimbela, she is shown half submerged in water surrounded by fish, elephants, flowers and plants that seem to be in a state of acceptance that they exist with their own reflection. Life is transitory, this body impermanent and I also follow the same questions as Gaughan "Who am I" where do we come from where are we going ... Originally I painted the two trunckated figures with the intention of making her "The Queen of Hearts" then the painting just insisted on a direction of its own. Perhaps one day she'll sit on the throne of some one who loves her, but beware of greedy owners and she may end up alone, locked in a bank vault.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

17.9 W x 24 H x 0.8 D in

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Richard Heley is a Painter, live performace painter, interactive painting with children, International performance poet and storyteller. Wild surrealist, philosophical dreamer, beautiful colourist, wacky storyteller with universal poetry. Nicholas Usherwood, Art Critic, writes of Richard : "Performance painting, poetry slam champion, interactive art with young children - such activities are not the normal profile of a committed and intensely serious-minded and hugely prolific artist but then Richard Heley's whole creative career has not followed any remotely conventional pattern. Born in Bedfordshire in 1950, he emigrated, aged 15, with his whole family, to Australia. It was a liberating decade spent there during which he quickly and, for the first time, became aware of the strength of his creative instincts and though he would have loved to go on to art school, family economics dictated a teacher training course at the Melbourne College of Education. In the strongly egalitarian society that Australia then was, this was no advantage however, such institutions being powerhouses for social and cultural change and Richard Heley found himself among some remarkably gifted and passionate teachers, most particularly in the sculpture class. Though this was not to prove his particular artistic direction, one senses, from the way he talks about this period of his life, that it was the attitude of this particular teacher, which has stayed with him ever since. But, not long after finishing there, a nostalgia for home and the fate of his village football team (of which he and an 80 year old man had been virtually the sole supporters!) drew him back to England where, painting and performing furiously, he has been based ever since. As might be expected from all of this, the painting that has emerged, particularly over the last ten years or so as he has slowly started to focus on his own rather than his more collaborative artistic activities, reflects this extreme unconventionality.

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Artist featured by Saatchi Art in a collection

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