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"Reviewing the Nude - Schiele 1918" Painting

Rita Sennik

United Kingdom

Painting, Acrylic on Paper

Size: 25.6 W x 39.4 H x 0.1 D in

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$502

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86 Views

6

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The series ‘Reviewing the Nude’ was a study of iconic nudes, such as Schiele and Klimt, through a contemporary aesthetic. My interest in the sensuality of the female form, without detracting from the essence of being, the core, was of prime importance in these works. The paintings are intended to ch...

Year Created:

2015

Subject:
Mediums:

Painting, Acrylic on Paper

Rarity:

One-of-a-kind Artwork

Size:

25.6 W x 39.4 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

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Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

I am an architect and a contemporary fine artist living and working in Hampshire. Born in Nairobi, I graduated as an architect from Nottingham University, worked extensively both in Kenya and in England before establishing my own architectural practice, ‘Rita Sennik Architects’ at the turn of the century. In 2011, I enrolled at Southampton University to pursue my lifelong passion for painting. A recent Fine Art graduate from the Winchester School of Art, I am developing my practice as a painter and a sculptor. My practice explores the emotional dynamics of being a woman, engaging the female form and face to deconstruct established precepts of the nude and portraiture. Using the frame of the gallery, the history of painting, celebrating Modernism, my work realigns itself through process and the materiality of the medium within the context of post-modernism.

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