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I painted LIVE on this artwork at LetThem Eat Art 2021 in July 2021. This is it outside at the event.
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A closeup detail of the painting
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Work in progress in the studio
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Rhapsody In The Garden With Marie Antoinette Painting

Genevieve Esson

United States

Painting, Acrylic on Canvas

Size: 24 W x 36 H x 1 D in

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$1,750

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212 Views
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About The Artwork

This painting was created for love, beauty, & nature. The abstract figure of the woman is in costume for the masquerade & the energy of the masked ball. She is part butterfly, flower & muse. Listening to music, she momentarily stepped away, enjoying the beautiful garden, waiting for her lover. The artwork was originally created for Let Them Eat Art, an annual art event that celebrates Bastille Day. It is in memory of Marie Antoinette, the last Queen of France. Gallery-wrapped stretched canvas means the painting is continued on all four sides. It does not need a frame. It has a picture hanging wire and is ready-to-hang.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:24 W x 36 H x 1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Genevieve Esson has a B.A. in Painting from Webster University, an award winning artist, her work is collected regionally and internationally. Esson is a painter and multi media artist and has completed 20 Public Art Projects. Her main medium is painting in acrylics. Born and raised in St. Louis, Missouri, she participates and exhibits her artwork at fairs, festivals, gallery shows, coffee houses, hospitals, restaurants and LIVE art events. Esson makes paintings and mixed media artworks. By merging several seemingly incompatible worlds into a new universe, Esson tries to increase the dynamic between audience and author by objectifying emotions and investigating the duality that develops through different interpretations. Her works isolate the movements of humans and/or objects. By doing so, new sequences are created which reveal an inseparable relationship between motion and sound. By questioning the concept of movement, she uses a visual vocabulary that incorporates time as well as space – a fictional and experiential universe that only emerges bit by bit. Her works are based on imaginary associations which open a unique poetic vein. Multilayered images arise in which the fragility and instability of our seemingly certain reality is questioned. With a conceptual approach, luring the viewer round and round in circles, she finds that movement reveals an inherent awkwardness, a humour that echoes our own vulnerabilities.

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