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Inspired by joy. 

This painting was painted in collaboration with my materials and gravity. Painting, for me, is always a balance of materials, inhibitions, expectations and control.  

This painting is wired and ready to hang. It is signed on back and needs no frame.
Inspired by joy. 

This painting was painted in collaboration with my materials and gravity. Painting, for me, is always a balance of materials, inhibitions, expectations and control.  

This painting is wired and ready to hang. It is signed on back and needs no frame.
Inspired by joy. 

This painting was painted in collaboration with my materials and gravity. Painting, for me, is always a balance of materials, inhibitions, expectations and control.  

This painting is wired and ready to hang. It is signed on back and needs no frame.
Inspired by joy. 

This painting was painted in collaboration with my materials and gravity. Painting, for me, is always a balance of materials, inhibitions, expectations and control.  

This painting is wired and ready to hang. It is signed on back and needs no frame.
Inspired by joy. 

This painting was painted in collaboration with my materials and gravity. Painting, for me, is always a balance of materials, inhibitions, expectations and control.  

This painting is wired and ready to hang. It is signed on back and needs no frame.
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87

VIEW IN MY ROOM

Rose Painting

Susan Wolfe Huppman

United States

Painting, Enamel on Canvas

Size: 48 W x 60 H x 1.8 D in

Ships in a Crate

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SOLD
Originally listed for $4,800
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831 Views
87

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About The Artwork

Inspired by joy. This painting was painted in collaboration with my materials and gravity. Painting, for me, is always a balance of materials, inhibitions, expectations and control. This painting is wired and ready to hang. It is signed on back and needs no frame.

Details & Dimensions

Painting:Enamel on Canvas

Original:One-of-a-kind Artwork

Size:48 W x 60 H x 1.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I make abstract paintings. Many of them are monochromatic color field pieces. Some of them are made using a brighter louder palette and some are quieter and neutral. My process can best be described as playful exploration in search of deeper connection. I work intuitively, intertwining properties of form, color and light into various arrangements that are intended to elicit an emotional resonance in the viewer. The work spans a range of emotions from quiet reflection to exuberant joy. In my quest to connect I use a variety of techniques and media. I am constantly drawn to experiment with new materials and new compositions. I feel that I am a conduit for my materials. I am in a dance with the paint. There is a slow drag of the brush across the canvas with oil. Waterborne media are faster and more dynamic, interacting with gravity for splashes and drips. I want my subconscious to bypass my ego and drive the work. This is why I paint; to discover something completely unplanned, surprising and beautiful. I studied Art History at Princeton, as well as painting, under Michael David, Harvey Quaytman and Heidi Gluck but particularly under the tutelage of Sean Scully who was my thesis show advisor. I studied Critical Theory under David Shapiro, himself a student of Meyer Shapiro, and and while I thoroughly enjoy a good critical shredding, in the end, art is good if you, the viewer, like it.

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