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This painting is part of a series inspired by the changing colours, textures and usage of a number of WW2 bunkers in the area around Blåvand on the West coast of Denmark. Originally steel and concrete functional structures these bunkers are slowly being reclaimed by the salt air, seawater and nature in general. The materials used for construction have gained a whole range of rich colours and textures as a result of this decay. Their value as impregnable, destructive fortresses has also changed from being very hard, cold and threatening to being no less imposing but more approachable and colourful. I have used gold in an attempt to reflect on how these bunkers have changed in value, but also how they must have felt to those who occupied them in the past, their thoughts of home, the values they fought for, or believed they were fighting for. The greens and reds reflect the rusts and mosses and mildews which are slowly invading or eating away at these giants and the geometry is intended to reflect the structure and usage of the bunkers. This particular diptych was inspired by bunker Rs58C. 7HKAR 180 (nicknamed the Tobruk) which was originally commonly designed to house a machine-gun, but also small searchlights and optical communication equipment was used inside.
This painting is part of a series inspired by the changing colours, textures and usage of a number of WW2 bunkers in the area around Blåvand on the West coast of Denmark. Originally steel and concrete functional structures these bunkers are slowly being reclaimed by the salt air, seawater and nature in general. The materials used for construction have gained a whole range of rich colours and textures as a result of this decay. Their value as impregnable, destructive fortresses has also changed from being very hard, cold and threatening to being no less imposing but more approachable and colourful. I have used gold in an attempt to reflect on how these bunkers have changed in value, but also how they must have felt to those who occupied them in the past, their thoughts of home, the values they fought for, or believed they were fighting for. The greens and reds reflect the rusts and mosses and mildews which are slowly invading or eating away at these giants and the geometry is intended to reflect the structure and usage of the bunkers. This particular diptych was inspired by bunker Rs58C. 7HKAR 180 (nicknamed the Tobruk) which was originally commonly designed to house a machine-gun, but also small searchlights and optical communication equipment was used inside.
This painting is part of a series inspired by the changing colours, textures and usage of a number of WW2 bunkers in the area around Blåvand on the West coast of Denmark. Originally steel and concrete functional structures these bunkers are slowly being reclaimed by the salt air, seawater and nature in general. The materials used for construction have gained a whole range of rich colours and textures as a result of this decay. Their value as impregnable, destructive fortresses has also changed from being very hard, cold and threatening to being no less imposing but more approachable and colourful. I have used gold in an attempt to reflect on how these bunkers have changed in value, but also how they must have felt to those who occupied them in the past, their thoughts of home, the values they fought for, or believed they were fighting for. The greens and reds reflect the rusts and mosses and mildews which are slowly invading or eating away at these giants and the geometry is intended to reflect the structure and usage of the bunkers. This particular diptych was inspired by bunker Rs58C. 7HKAR 180 (nicknamed the Tobruk) which was originally commonly designed to house a machine-gun, but also small searchlights and optical communication equipment was used inside.
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Rs58C. 7HKAR 180 Painting

Michael Lauesen-Day

Denmark

Painting, Oil on Canvas

Size: 28 W x 16 H x 1 D in

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About The Artwork

This painting is part of a series inspired by the changing colours, textures and usage of a number of WW2 bunkers in the area around Blåvand on the West coast of Denmark. Originally steel and concrete functional structures these bunkers are slowly being reclaimed by the salt air, seawater and nature in general. The materials used for construction have gained a whole range of rich colours and textures as a result of this decay. Their value as impregnable, destructive fortresses has also changed from being very hard, cold and threatening to being no less imposing but more approachable and colourful. I have used gold in an attempt to reflect on how these bunkers have changed in value, but also how they must have felt to those who occupied them in the past, their thoughts of home, the values they fought for, or believed they were fighting for. The greens and reds reflect the rusts and mosses and mildews which are slowly invading or eating away at these giants and the geometry is intended to reflect the structure and usage of the bunkers. This particular diptych was inspired by bunker Rs58C. 7HKAR 180 (nicknamed the Tobruk) which was originally commonly designed to house a machine-gun, but also small searchlights and optical communication equipment was used inside.

Details & Dimensions

Multi-paneled Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:28 W x 16 H x 1 D in

Number of Panels:2

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Michael Lauesen-Day is a UK born artist now living in Denmark. His work focuses on perceptions of value and alchemical processes. His practice explores these themes through a variety of media and disciplines, including sculpture, archaic & alternative photographic processes, as well as oil & acrylic painting. His work almost always includes precious metals or gemstones. Michael is also a former associate lecturer in Fine art and photography at Leeds Art University and Fine art photography technician at Leeds Beckett University.

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