SAGMOSAVANK. ARMENIAN OLD CHURCH. architectural monument, temple, modern art, for a modern interior Painting

Artist Vladimir Grigoryan Born in 1982, Armenia Lives and works in Moscow. Member of the Union of Artists. (Union of Artists of Russia). AIAP UNESCO. (International Association of Fine Arts - UNESCO AIAP). IHF. (International Art Fund). TSHR. (Creative Union of Artists of Russia). PSH (Professional Union of Artists). Founded the Art-Grigor neo-academic school of painting and exhibition space. More than 60 professional international exhibitions, biennials and competitions. He has been repeatedly awarded with diplomas, the winner of exhibitions of competitions has awards and a presidential prize. Works are in private collections in Russia, Armenia, France, Italy, Germany, Great Britain, Holland, China, USA and Australia ... I absorbed the experience of great artists in order to become cooler than everyone who came before me, and an example to those who will be after! My experience is behind my work. I see the world with its multi-structural planes, its anatomy and construction, I study its essence like an insatiable scientist and a curious baby, reflect it like an old man. In my works there are hidden questions and answers to the problems of humanity in interaction with this world, concerning all its aspects. The world is beautiful in its diversity, and I take its laws, foundations and, exaggerating, create my own world. My painting is emotional, bright, colorful, simple and easy to perceive, and at the first impression is clear to the viewer. But this is just the first level of the game, in which the viewer, interacting with the picture, must go through all its levels in order to understand its whole meaning and essence. In the picture, I think over every visual step of the viewer - how many seconds, what detail and where further on the canvas the vision will creep. Thus, leaving clues for the viewer, I lead him through the whole story inside the picture from beginning to end. But not every spectator is mature enough for such games of mind and feelings. In experiments with color, I reached a unique level of proficiency. I bring the color to maximum contrast and saturation, while keeping harmony and color in balance. Imagery, integrity, plasticity, rhythms, dynamics - these are my tools, not a brush and paints. I build a color, linear, shape and spatial composition, thinking over every little thing, checking in relation to each other.