VIEW IN MY ROOM
United States
Painting, Acrylic on Paper
Size: 94 W x 42 H x 0.1 D in
Ships in a Tube
Sequestered in my studio with no one watching I decided to play. I willed this terrible black time of watching my country attacked from within by an oligarch and from without by a deadly virus fo come to an end. Hopeful. Coming out alive. Dancing in the Sunlight at the end of a long dark ordeal. Water based mediums on paper satisfy my spontaneous style.
Painting:Acrylic on Paper
Original:One-of-a-kind Artwork
Size:94 W x 42 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Inspirations come from prehistory, early belief systems, pictographs and impulse graffiti. I want to merge the seemingly indecipherable history of the obscure past with my own sensual and emotional responses to it as I study and learn about human nature. In both the content and process of my art, I am interested in the global layering of time and history, of painting and drawing and of various meanings and associations. My art places itself in the context of the history of civilization as well as the process-oriented aspects of Abstraction. I am interested in illuminating the abstract process of writing through line based compositions, often inspired by the almost universal linear forms of handwriting or the complexity of weavings. As I work subtle narratives that lay beneath the surface of an image are revealed to my imagination as they are to the mind of the viewer. WEBSITE: My line is primal. I admire the commitment to origins of Cy Twombly, the playful freedom of Paul Klee and the spiritual underpinnings of Kandinsky. My lines are achieved by projecting myself into the essentialness of the individual line and imagining the first line ever drawn. The line has to be felt and followed. Much of my work is a direct reflection of, response to, and re-working of images from our ancient past . Inspirations come from prehistory, early belief systems, pictographs and impulse graffiti. I want to merge the seemingly indecipherable history of the obscure past with my own sensual and emotional responses to it as I study and learn about human nature. In both the content and process of my art, I am interested in the global layering of time and history, of painting and drawing and of various meanings and associations. My art places itself in the context of the history of civilization as well as the process-oriented aspects of Abstract Expressionism. I am also interested in illuminating the process of writing through line based compositions, often inspired by the almost universal linear forms of handwriting or the complexity of weavings. Subtle narratives that lay beneath the surface of an image are revealed to my imagination as they are to the mind of the viewer. The texture of the paper is important. As the ruling pen is dragged across the surface the line takes on an active presence. The geometry imagines worlds. CITRINO lives and works in the rural historical village of Roadstown in Cumberland County, New Jersey.
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