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Save the ocean 1 - jumping fish Painting

Karen and Simone Lehmann

Germany

Painting, Acrylic on Canvas

Size: 47.2 W x 31.5 H x 0.6 D in

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$3,170

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About The Artwork

Save the ocean - jumping fish - eine Hommage an die lebendige Unvorhersehbarkeit unserer Ozeane. Die Fische springen voller Lebensfreude im Meer - das Werk ist eine emotionale Reise, die jeden Betrachter dazu einlädt, über den Zustand unserer Meere nachzudenken. Dieses Bild wird eine kraftvolle und nachdenkliche Energie in Ihr Heim bringen. Diptychon - Zwei Leinwände im Format 60 x 80 cm - die einzeln oder verbunden gehängt werden können. Die meisten Werke von Karen und Simone Lehmann entstehen interaktiv. Die Bilder sind synchron gemalt und bestehen aus 2 Teilen. In diesem Gemälde greifen wir tief in die Farbpalette: Acryl, Collage und Kreide vereinen sich spielerisch. Der Stil pendelt zwischen Abstrakt und Pop-Art,

Details & Dimensions

Multi-paneled Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:47.2 W x 31.5 H x 0.6 D in

Number of Panels:2

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Karen Lehmann and Simone Lehmann are graduate designers and artists since 2004. The sisters have been working as freelance designers, artists and as art directors in Cologne and Berlin for over 25 years. They founded their Lousissyartsister Project label with a focus on painting in 2019. Their acrylic paintings combine graphic elements with intuitive free and abstract painting. In 2019 Karen and Simone Lehmann started their sister project 'lousissyartsister' and experience the creative process in pictures that complement or repel each other. This can be seen in the painting process or individual pieces of canvas are combined together by both sisters. It's about the composition of the surfaces within the surface, about the interaction of surfaces with each other, about the effect of shape and color, about the combination of harmony and disharmony. Perspective or figurative elements hardly play a role: the images are created by juxtaposing harmonious and disharmonious elements, of various structures such as surfaces, circles, lines, which have their origin in fleeting glimpses of the patchy city, at the same time dark and bright. Abstract motifs from torn corners, remains of stickers and decay are used - with blurring. All of this is reassembled like a collage.

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