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SENSUALITY: Glamour Model and the Thorns on the Wall
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SENSUALITY3: The Glamour and the Thorns Painting

O Yemi Tubi

United Kingdom

Painting, Oil on Canvas

Size: 18 W x 24 H x 1 D in

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About The Artwork

That is why we never give up. Though our bodies are dying, our spirits are being renewed every day. 2 Corinthians 4:16 Some of the glamour models often obsessed with their looks and may suffer from a histrionic personality disorder which is characterized by seeking attention from others. An individual with a histrionic personality disorder may overly seductive or extremely emotional. Some have negative looks about their bodies and body image dissatisfaction are as rife as ever. A personality disorder is one of the thorns in the flesh of some of the glamour models. This painting is done to applaud two courageous women that overcame their image dissatisfaction with vitiligo. Tiffany Taylor skin colour started changing with vitiligo at the age of 14 and Canadian professional model Winnie Harlow was the first model with vitiligo to walk in Victoria’s Secret Fashion show which influenced this work – SENSUALITY 3: The Glamour Model and the thorns. This painting was created in my usual style of Roses and Thorns with the vitiligo skin condition modelled after Winnie Harlow. Thorns depict vitiligo and any other body dissatisfaction that may make many people too conscious of their bodies and lead to personality disorder. The flower is for the courage to live with our imperfections which is healthy living. Though our bodies may succumb to changes, we should not lose our minds but renew our minds with beautiful and positive things. Just as the general theme of my works “The facts of life – Roses and Thorns”, changes in our bodies are part of the facts of life. A man’s firm six-pack belly may inflate to balloon and bulging gunning biceps turn to wobble jelly flesh. A youthful round lady breasts with pointed nipples may succumb to gravity; become flat and turn south. Our bodies shapes and our skin’s looks should not define us. To have good mental health, we need to change our minds set as our bodies’ changes.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:18 W x 24 H x 1 D in

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O. Yemi Tubi - An Artist and Advocate for the world’s Peace. I am a Nigerian-born, American-trained Artist residing in the United Kingdom an artist with a unique personal style. Most of my recent paintings were influenced by the political and social upheaval of our world today and the works of Renaissance artists. “A work of art which did not begin in emotion is not art” so said Paul Cezanne; I was moved by emotion to do most of my political and socially influenced paintings “THE EAGLE HAS LANDED” was done to speak about the American-led war on terror. My painting “THE BLEEDING ROSES” was done in solidarity with Christians beheaded by ISIS in Iraq and Syria. I used my paintings “AFRICAN’T”, “HUNGER IN THE LAND OF PLENTY” and “OIL: AFRICANS’ WEALTH AND WOE” to speak about the exploitation of African nations. The Painting depicts paradoxical poverty and the riches of Africa. my work, “THE FISHERS OF MEN” is about the horror of refugees drowning in the Mediterranean Sea. I also used my painting – “UKRAINE: THE UNFORTUNATE BRIDE” to speak about the America and Russia-influenced war in Ukraine. I desire my portrait paintings to be uniquely creative. I do not copy images from pictures. I create what the camera cannot create. I use portrait paintings to tell the stories about my subjects and often use my subjects’ professions to create their portraits as I did with the portrait of Professor Wole Soyinka, 1986 Nobel Prize Winner in Literature in my painting “SOYINKA: An Africans’ Literary Icon”, I used artist materials to create my painting “PORTRAIT OF AN ARTIST” and I used the violin to create the face of my subject in the “THE VIOLINIST” My works progress from political paintings to paintings of the facts of the life of people. The theme of my works, in general, is "The Facts of Life: Roses and Thorns." Life is roses and thorns; sometimes it emanates the sweet aroma of pleasantness and sometimes it pricks and causes pains. I often use Roses and Thorns for portrait paintings of the facts of the life of people. I first used Roses and Thorns in my political painting “THE BLEEDING ROSES.” Since then I have adopted this floral iconography style - Roses and Thorns as my unique style in some of my paintings like “DOMESTIC ABUSE”, and “MY MOTHER, Her Majesty Platinum Jubilee: Her Rosy Reign” to name a few. Roses are for achievements and other positive parts of life and Thorns are painful challenges and negative parts of life.

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