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Sexing the Clutch Painting

Angelo Chiado

United States

Painting, Oil on Canvas

Size: 84 W x 78 H x 2 D in

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About The Artwork

Sexing the Clutch is a title gleaned from Ornithology and Herpetology. It is in reference to tempurature dictating the sex of a clutch, or group of eggs laid together. In the case of this painting it has become a ritual or torture. The woman is piled with fish and looks to the sky open mouthed. The large woman in the fore holds the side of the vessel with one hand and a soul giver/transporter in the other. Three women with back to the viewer are busy while one looks at the viewer acknoledgeing an intruder, now participant as the act commences. The viewer is witness. The rope in the corner the only loose male reference in the entire series. The clouds bulbous and round reminiscent of eggs echo the woman's innards.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:84 W x 78 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I live in Las Vegas, Nevada-- - EMAIL ME- LET ME KNOW---- Email: jjachiado@gmail.com In some cultures it is a sin to speak the name of the dead. My current work deals with the persistence of dead images and old forms of communication in a time out of time. It grapples with notions of celestial and ephemeral in the facsimile of the face. I am putting things to rest. your next. Apprenticed with the great painter Oskar D'Amico. My series of oil paintings, entitled Vessels and Vestiges, are contemplations on reproduction, existence, and transcendence. They are imagined works from the point of view of the Venus of Willendorf, and the concept that the votive is a religious icon of reproduction. Purported to be the oldest piece of figurative artwork, the Venus of Willendorf connotes a matriarchal religious history. My paintings are the imagined inception of transubstantiation, and how that might yield a religious iconography where woman is goddess. Informed recollections also comment on patriarchal and misogynistic images from religious art historical paintings. My influences include performance artists like Marina Abramovic and Carolee Schneemann. My painterly influences include DeKooning, Rubens, and Bacon, and from photography Witkin, who has a definite painterly quality to his work.

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