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Sleeping Circles Painting

Maia S Oprea

Romania

Painting, Mixed Media on Paper

Size: 27.6 W x 39.4 H x 1 D in

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Originally listed for $160
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1012 Views
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About The Artwork

The artwork "Sleeping Circles" is part of the Dominated by a fever of lines, the series of abstract paintings “LINES” could be characterized by the very definition given by Michel Seuphor to abstractionism: "A painting should be called abstract when we cannot recognize any of the objective reality which consists our lives' normal environment; in other words, a painting is abstract as soon as we are obliged, by the absence of any sensible reality, to consider it as painting in itself, to judge it by virtue of values extrinsic to any representations or any reminders of the representation."(own translation) Hatred against words who do not help me is greater, as I have no possibility to punish them for their disobedience. Therefore, sometimes, I talk in “lines”... It is one of my first abstract attempts, the forerunner stage of many future searches into abstractionism. It was born after the return from a residence at Hope University in Liverpool and after visiting London, two cities whose color fervor was a shock to me at that time. The materials used are acrylic, string, tracing paper and fiberglass.

Details & Dimensions

Painting:Mixed Media on Paper

Original:One-of-a-kind Artwork

Size:27.6 W x 39.4 H x 1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Painting is located in the center of my artistic interests, and through it I investigate concepts of time, memory, absence, waste, decay, violence, identity, subjectivity and vulnerability The purpose behind my latest artwork (painting-graphics, collage, assemblage) is to explore the expressive properties of paint and other materials through physical and poetic processes, following the development of a personal dialogue in between thoughts and colors, emotions and memories, lines and gestures, hesitations and decisions. Desiring to pull the viewer from representation, I like to draw attention to the painting process and to many painterly 'imperfections', which can be clearly visible in the works. My paintings are often built up in layers, during long periods of time, through a process of recording and analysing natural forms, shapes and objects which I make myself, or my own manipulated photographs. These visual sources often resonate with my old drawings and sketches, which are in turn incorporated in the future paintings. The brushwork experiments in the studio and the repetitive structural forms found in my environment become a language of my work. If I were to synthesize in a sole phrase what characterises my interventions, steps, installations and artworks of the media I have experimented so far (photography, video, performance, installation, sculpture), I would say that they are all somewhat self-referential. Self-referential in the sense that my work doesn't demonstrate nor does it present the functioning of structures belonging to the territory of the real. But rather it embraces these structures, interrogates them, in the pursue of a visual expression where reality and imaginary, conscience and unconscious, life and death stop being felt as incompatible. www.maiaoprea.ro/en http://maiastefanaoprea.wordpress.com

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