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Soft Storm at Sea Painting

Hilary Marsh

United Kingdom

Painting, Oil on Pressed Cardboard

Size: 14 W x 10 H x 0.1 D in

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$280

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About The Artwork

I am obsessed with the sea, which my studio overlooks, and like to find as many ways as possible to capture its many moods. For this painting I wanted to focus on the sheer beauty of a sea storm, rather than on its fearsomeness. To that end I chose strong dense card for its smooth surface, and built the paint up in many thin layers, polishing each by hand to achieve a silky smooth finish and a satin sheen akin to Venetian polished plaster. The card has bevelled edges over which the painting extends, It would look well surface-mounted in a simple box frame, ideally held forward by about 1/3 inch to create a shadow gap. Or just prop it on a mantelpiece so you can pick it up and enjoy its sensuousness at will.

Details & Dimensions

Painting:Oil on Pressed Cardboard

Original:One-of-a-kind Artwork

Size:14 W x 10 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Hilary Marsh has been an entrepreneur in many creative industries including music, software, drinks creation, restaurant creation and landscape gardening. She is also a poet and a philosopher. She has always loved the visual arts as a consumer and collector, but only turned her hand to painting herself at the end of 2022. There has been no looking back. In Marsh’s own words: “I can’t now imagine being without this. A day without painting is a bad day. I have so many paintings appearing in my head and jostling for position to see the light of day. It is very personal thing, but made so much more rewarding when the paintings connect with another human being. It’s a profound way of communicating. I experiment with different media but love oil paint. I even love the way it feels. I do use brushes and palette knives, but my favourite tools are fingers, thumbs and even palms. You’ll find that the backs of my paintings are often a mess as a result - sorry about that. People now ask why I wasted so much of my life not painting. (Charming!) But I don’t think I could have painted like this earlier. I’m sure that the richness of earlier life experiences has a big effect. I move between London and Northern Ireland with my wonderful architect husband. My favourite studio overlooks the Atlantic where it meets the wild Irish Sea. The pageant provided by the untamed forces of nature is endlessly captivating and inspiring. It is also wonderfully humbling. I’m always trying to capture something of the sublime, even in abstract works. I hope they convey something of that to you too.”

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