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ARTWORK SHOWS BOTH HORIZONTALLY AND VERTICALLY, ALL 4 WAYS! The title says it all for this painting. What I wouldn't give to be back in the Cote d'Azure wandering the streets again taking in all that is paradise, or sitting in a Cannes cafe drinking red wine with steamed mussels and bread by the sea side. On my process: Since it is winter I bring my compositions inside literally crushing blooms together on a flat surface. This process creates a randomness of color in juxtaposition to the Fibonacci-esque perfection of the floral structures themselves. In particular to time, I find the end of a bloom particularly attractive to paint. The flowers seem to want to push out one last gasp of color and form before drying out and dropping their petals. It is this delicate but glorious moment I like to capture and highlighted via linear texture and touch of muddy interaction in this work. This work, completed 12/28/19, is heavy impasto oil and current drying. Please inquire as to the earliest shipping dates.
ARTWORK SHOWS BOTH HORIZONTALLY AND VERTICALLY, ALL 4 WAYS! The title says it all for this painting. What I wouldn't give to be back in the Cote d'Azure wandering the streets again taking in all that is paradise, or sitting in a Cannes cafe drinking red wine with steamed mussels and bread by the sea side. On my process: Since it is winter I bring my compositions inside literally crushing blooms together on a flat surface. This process creates a randomness of color in juxtaposition to the Fibonacci-esque perfection of the floral structures themselves. In particular to time, I find the end of a bloom particularly attractive to paint. The flowers seem to want to push out one last gasp of color and form before drying out and dropping their petals. It is this delicate but glorious moment I like to capture and highlighted via linear texture and touch of muddy interaction in this work. This work, completed 12/28/19, is heavy impasto oil and current drying. Please inquire as to the earliest shipping dates.
ARTWORK SHOWS BOTH HORIZONTALLY AND VERTICALLY, ALL 4 WAYS! The title says it all for this painting. What I wouldn't give to be back in the Cote d'Azure wandering the streets again taking in all that is paradise, or sitting in a Cannes cafe drinking red wine with steamed mussels and bread by the sea side. On my process: Since it is winter I bring my compositions inside literally crushing blooms together on a flat surface. This process creates a randomness of color in juxtaposition to the Fibonacci-esque perfection of the floral structures themselves. In particular to time, I find the end of a bloom particularly attractive to paint. The flowers seem to want to push out one last gasp of color and form before drying out and dropping their petals. It is this delicate but glorious moment I like to capture and highlighted via linear texture and touch of muddy interaction in this work. This work, completed 12/28/19, is heavy impasto oil and current drying. Please inquire as to the earliest shipping dates.
ARTWORK SHOWS BOTH HORIZONTALLY AND VERTICALLY, ALL 4 WAYS! The title says it all for this painting. What I wouldn't give to be back in the Cote d'Azure wandering the streets again taking in all that is paradise, or sitting in a Cannes cafe drinking red wine with steamed mussels and bread by the sea side. On my process: Since it is winter I bring my compositions inside literally crushing blooms together on a flat surface. This process creates a randomness of color in juxtaposition to the Fibonacci-esque perfection of the floral structures themselves. In particular to time, I find the end of a bloom particularly attractive to paint. The flowers seem to want to push out one last gasp of color and form before drying out and dropping their petals. It is this delicate but glorious moment I like to capture and highlighted via linear texture and touch of muddy interaction in this work. This work, completed 12/28/19, is heavy impasto oil and current drying. Please inquire as to the earliest shipping dates.
ARTWORK SHOWS BOTH HORIZONTALLY AND VERTICALLY, ALL 4 WAYS! The title says it all for this painting. What I wouldn't give to be back in the Cote d'Azure wandering the streets again taking in all that is paradise, or sitting in a Cannes cafe drinking red wine with steamed mussels and bread by the sea side. On my process: Since it is winter I bring my compositions inside literally crushing blooms together on a flat surface. This process creates a randomness of color in juxtaposition to the Fibonacci-esque perfection of the floral structures themselves. In particular to time, I find the end of a bloom particularly attractive to paint. The flowers seem to want to push out one last gasp of color and form before drying out and dropping their petals. It is this delicate but glorious moment I like to capture and highlighted via linear texture and touch of muddy interaction in this work. This work, completed 12/28/19, is heavy impasto oil and current drying. Please inquire as to the earliest shipping dates.
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Southeast of Provence, Fall Painting

Jon Parlangeli

United States

Painting, Oil on Canvas

Size: 24 W x 30 H x 1.5 D in

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About The Artwork

ARTWORK SHOWS BOTH HORIZONTALLY AND VERTICALLY, ALL 4 WAYS! The title says it all for this painting. What I wouldn't give to be back in the Cote d'Azure wandering the streets again taking in all that is paradise, or sitting in a Cannes cafe drinking red wine with steamed mussels and bread by the sea side. On my process: Since it is winter I bring my compositions inside literally crushing blooms together on a flat surface. This process creates a randomness of color in juxtaposition to the Fibonacci-esque perfection of the floral structures themselves. In particular to time, I find the end of a bloom particularly attractive to paint. The flowers seem to want to push out one last gasp of color and form before drying out and dropping their petals. It is this delicate but glorious moment I like to capture and highlighted via linear texture and touch of muddy interaction in this work. This work, completed 12/28/19, is heavy impasto oil and current drying. Please inquire as to the earliest shipping dates.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:24 W x 30 H x 1.5 D in

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Statement: My work offers less about the detailed physicality of nature and instead captures the purest emotions bestowed upon the human condition by exposure to nature. The idea of life is given by stroke, passion by line, belief via color, and all displayed as offerings to our truest self. Bio: To Michigan artist Jon Parlangeli there is no other path but to constantly ask and then answer questions via different modalities within his medium. This leads to new explorative bodies of work offering differing styles, genres, or techniques that satiate his curiosity for the space between real and the abstract. Parlangeli uses both nature and figure as his muse often jostling between them to solve internal conundrums exposed during studio sessions. Standing over such processes is his artistic signature, color. Born partially color blind, Parlangeli uses color as his weapon of indelicacy often pushing beyond subtle yet achieving a cosmopolitan of sublime. Parlangeli is a seasoned painter who has placed works within corporate and private collections throughout the US, Europe, Asia and the Middle East. His works have been shown in the US and internationally.

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