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I incorporate the many stimuli of the contemporary world transforming them into visions that go beyond everyday life and then encapsulate them in wider and timeless perspective.
In this picture I have painted a wooden chair suspended in the sky, which is reflected in a distorted way on a strange concave surface of glass and metal. It also seems to be hanging in an infinite space without any landmarks.  Threatening clouds appear in the mirror reflection that in reality should not be there; perhaps the mirror is how we interpret reality, deforming it (and deforming ourselves) unconsciously. 
I paint in oil with a glazing layer, with great attention to detail. The goal of my painting is to involve the spectators by stimulating them to freely interpret the mystery which is hidden behind each painting and offering them, at least in part, the emotions that originally inspired its creation.
I incorporate the many stimuli of the contemporary world transforming them into visions that go beyond everyday life and then encapsulate them in wider and timeless perspective.
In this picture I have painted a wooden chair suspended in the sky, which is reflected in a distorted way on a strange concave surface of glass and metal. It also seems to be hanging in an infinite space without any landmarks.  Threatening clouds appear in the mirror reflection that in reality should not be there; perhaps the mirror is how we interpret reality, deforming it (and deforming ourselves) unconsciously. 
I paint in oil with a glazing layer, with great attention to detail. The goal of my painting is to involve the spectators by stimulating them to freely interpret the mystery which is hidden behind each painting and offering them, at least in part, the emotions that originally inspired its creation.
I incorporate the many stimuli of the contemporary world transforming them into visions that go beyond everyday life and then encapsulate them in wider and timeless perspective.
In this picture I have painted a wooden chair suspended in the sky, which is reflected in a distorted way on a strange concave surface of glass and metal. It also seems to be hanging in an infinite space without any landmarks.  Threatening clouds appear in the mirror reflection that in reality should not be there; perhaps the mirror is how we interpret reality, deforming it (and deforming ourselves) unconsciously. 
I paint in oil with a glazing layer, with great attention to detail. The goal of my painting is to involve the spectators by stimulating them to freely interpret the mystery which is hidden behind each painting and offering them, at least in part, the emotions that originally inspired its creation.
I incorporate the many stimuli of the contemporary world transforming them into visions that go beyond everyday life and then encapsulate them in wider and timeless perspective.
In this picture I have painted a wooden chair suspended in the sky, which is reflected in a distorted way on a strange concave surface of glass and metal. It also seems to be hanging in an infinite space without any landmarks.  Threatening clouds appear in the mirror reflection that in reality should not be there; perhaps the mirror is how we interpret reality, deforming it (and deforming ourselves) unconsciously. 
I paint in oil with a glazing layer, with great attention to detail. The goal of my painting is to involve the spectators by stimulating them to freely interpret the mystery which is hidden behind each painting and offering them, at least in part, the emotions that originally inspired its creation.
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Space and Illusion Painting

katia scotti

Italy

Painting, Oil on Canvas

Size: 39.4 W x 31.5 H x 1.2 D in

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209 Views
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About The Artwork

I incorporate the many stimuli of the contemporary world transforming them into visions that go beyond everyday life and then encapsulate them in wider and timeless perspective. In this picture I have painted a wooden chair suspended in the sky, which is reflected in a distorted way on a strange concave surface of glass and metal. It also seems to be hanging in an infinite space without any landmarks. Threatening clouds appear in the mirror reflection that in reality should not be there; perhaps the mirror is how we interpret reality, deforming it (and deforming ourselves) unconsciously. I paint in oil with a glazing layer, with great attention to detail. The goal of my painting is to involve the spectators by stimulating them to freely interpret the mystery which is hidden behind each painting and offering them, at least in part, the emotions that originally inspired its creation.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:39.4 W x 31.5 H x 1.2 D in

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I was born in Feltre in the province of Belluno (Italy); and I am currently based in San Dona di Piave in the province of Venice, Italy. My academic background took place in the city of Venice and was enriched under the directions of Giovanni Soccol, a well established Venetian painter, set designer and architect who has had a numerous important national and international exhibitions during his long artistic career. From master Giovanni Soccol I have learned the painting techniques of the great Italian Old Masters and the attention that must be paid to every aspect of the creation of a work: my oil paintings are carefully given to read glazes, I create colors by mixing pigments with linseed oil, before painting the final work in oil or acrylic on canvas. I make several studies in charcoal and pastels on paper. With another Venetian master Ludovico De Luigi, I have in particular approached the bronze sculpture. My favorite painting techniques are oil, acrylic, charcoal, pastels and fresco painting. I learned the fresco technique from the master Vico Calabrò and I am currently enrolled among the masters of his International School of fresco based in the Santuario dei Santi Vittore e Corona in Feltre, in the province of Belluno, Italy. My subjects are mainly related to the dreamlike and surreal world, where the current is transformed into visual metaphors in which coexist with a broader vision and eternal life. I participated in numerous exhibitions both nationally and internationally.

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