"Spiritualist Art" Painting

GISELLE FLECK since childhood looked at the starry sky and wondered where the house of God would be, what the stars would be like, and if there would be other children like her in other worlds and stars. As a teenager, she discovered a bookshelf in the Library where her mother worked on occult books, and then she was attracted to that parallel world ...

With each book read, new questions arose and the need to seek answers to the triggers of ideas that arose in the clash of the new with the old (dogmatic religious knowledge).

At first, I wanted to replace old knowledge with new knowledge, but the more I read, attended some lectures and experienced spiritual practices, the more I realized that the correct thing would not be to cancel, replace and segregate ... but to unite, add and join! Of course ... one or another concept that was not felt as true but tried to win my head and my heart through demands like: -You have to believe ...., - It is written ..., - If not, then you will go to hell ... they were soon replaced by a more loving understanding of God and divinity. The God who punishes has become the God who overflows with love, adds all the differences in the unity of his heart, and divides himself there ... in all of his creation; because everything is in Him!

Well ... from this loving and creative aspect of everything ... another concept has been transformed ... God is Goddess, Father is Mother ... the principle of creation is feminine in all nature! So the Indians are not wrong to speak about the Divine Mother ... nor in its many manifestations!

And so Giselle began to admire how the various peoples of the world portray the divine and the divinities, the beings of light, and also wanted to contribute to what she calls Spiritual Art, with a different look from the Artist about the way of portraying the characters of light and light in the creation and each human being or not. Far from being confused with sacred or religious work, it will be understood by people with refined critical sense. The strong colors, the studded looks, and the rigorous dual compassion (typical of some deities such as Bodisattva Tara) can be surprisingly found in some works and attributed to other characters to whom only the idea of ​​parsimonious love is attributed.