VIEW IN MY ROOM
United Kingdom
Painting, Acrylic on Canvas
Size: 60.8 W x 48 H x 1.6 D in
Ships in a Crate
This is the third painting in a series of paintings depicting the journey of life between one life and the next. In my recent work I have been investigating and researching into what makes us human and the beliefs that different groups of humans hold over life, death and religion. I got interested in the theories that some groups/ religions hold that we live many lives and wondered what happens in between them. The paintings in these series are what I imagine happens and my inspiration is drawn from different religious texts, spiritual philosophers and the famous regression therapist Dr Micheal Newton.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:60.8 W x 48 H x 1.6 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Aimée's work lies in between the boundaries of abstraction and surrealism. Her work is narrative, exploring ritualistic, folkloric practices; alternative modes of spirituality and a belief in the possibility of human transformation. The artist's work looks at the universal desire for spiritual life, a yearning for some higher power or intelligence, or to “reach for something beyond, In her recent work 'Psychic Futures' she has had her 'futures' read numerous times by clairvoyants and soothsayers across the UK and painted their predictions of her future. Marshall sees that magical thinking, on personal myth and human epiphany represent a “reactionary developmental syndrome” that we all embrace to some extent. Her work explores this and questions her own beliefs and coping mechanisms to predict and manifest an ideal future. In the face of an unspoken and intractably apocalyptic sense of the world, the artist looks to rekindle forms of imaginary redemption, which makes her work take on an unworldly feeling as a result. She lives and work in East London and has a studio at Bow Arts.
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