






Painting, Found Objects on Other
47.2 W x 78.7 H in
Ships in a Crate
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[Stolen Time 20210218 _ collected variety materials from streets, resin, silicone, stainless steel _ 200x120cm, 2021] Yang’s [Materials series] are an amalgamation of the diverse, the distant, and the disregarded. Formed of the lost fragments of urban life that Yang rescues before their inevitable...
Year Created:
2021
Subject:
Styles:
Mediums:
Mediums:
Painting, Found Objects on Other
Rarity:
One-of-a-kind Artwork
Size:
47.2 W x 78.7 H x 0.8 D in
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Germany.
Customs:
Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
Need more information?
Contact us.Need more information?
Contact us.Born in South Korea
Live & work : Berlin <-> South Korea
Jazoo Yang is a Korean mixed media artist based in Berlin. She often distorts public spaces to profound ends. With a mixture of concept-focused art and an intriguing visual palette, she questions the relationship between ourselves and the spaces that we inhabit. Her more recent practice has focused on the transformation of housing in the city and the gentrification that is pushing local residents from their homes. The 'Materials Series' is an amalgamation of the diverse, the distant, and the disregarded. Formed of the lost fragments of urban life that she rescues before their inevitable disappearance – remnants of a building’s outer walls, scraps of wallpaper from an interior, the remains of antique tiles – these often silent, ignored objects are here transformed from the mundane, and framed to acknowledge the immensity of the intimate.
Furthermore, while developing projects related to the issues of redevelopment, Yang keeps an interest in what the original senses of human beings might be like within the rapid changes of a city. The speed of city life runs much faster than that of the human body, thus enforcing its speed on the people living in that city. This situation, maybe even a violent one, may damage delicate aspects of the human senses.
Yang is not only concerned with the material elements that make up our cities and about those living there, she also devotes herself to the details of natural systems, which unfold in urban space, yet remain invisible.
Recognition:
Featured in One to Watch
Featured in the Catalog
Artist featured in a collection
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