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184 Views
3
View In My Room
Painting, Resin on Other
Size: 47.2 W x 78.7 H x 0.8 D in
Ships in a Crate
184 Views
3
Featured in One to Watch
Featured in the Catalog
Artist featured in a collection
[Stolen Time 20210218 _ collected variety materials from streets, resin, silicone, stainless steel _ 200x120cm, 2021] Yang’s [Materials series] are an amalgamation of the diverse, the distant, and the disregarded. Formed of the lost fragments of urban life that Yang rescues before their inevitable disappearance – remnants of a buildings’ outer walls, scraps of wallpaper from an interior, the remains of antique tiles – these often silent, ignored objects are here magnified from the mundane, framed to acknowledge the immensity of the intimate. Yet what we see in Yang’s works could easily have been taken from the space in which they hang. The chipped surfaces of The Silver Building will soon be smoothed and glossed over, removing any trace of its current state of decay. Yang’s works, however, show how the past, present and future are fused in the very materiality of walls.
2021
Resin on Other
One-of-a-kind Artwork
47.2 W x 78.7 H x 0.8 D in
Not Framed
Not applicable
Ships in a Crate
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Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
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South Korea
Born in South Korea Live & work : Berlin <-> South Korea Jazoo Yang is a Korean mixed media artist based in Berlin. She often distorts public spaces to profound ends. With a mixture of concept-focused art and an intriguing visual palette, she questions the relationship between ourselves and the spaces that we inhabit. Her more recent practice has focused on the transformation of housing in the city and the gentrification that is pushing local residents from their homes. The 'Materials Series' is an amalgamation of the diverse, the distant, and the disregarded. Formed of the lost fragments of urban life that she rescues before their inevitable disappearance – remnants of a building’s outer walls, scraps of wallpaper from an interior, the remains of antique tiles – these often silent, ignored objects are here transformed from the mundane, and framed to acknowledge the immensity of the intimate. Furthermore, while developing projects related to the issues of redevelopment, Yang keeps an interest in what the original senses of human beings might be like within the rapid changes of a city. The speed of city life runs much faster than that of the human body, thus enforcing its speed on the people living in that city. This situation, maybe even a violent one, may damage delicate aspects of the human senses. Yang is not only concerned with the material elements that make up our cities and about those living there, she also devotes herself to the details of natural systems, which unfold in urban space, yet remain invisible.
Featured in Saatchi Art's curated series, One To Watch
Featured in Saatchi Art's printed catalog, sent to thousands of art collectors
Artist featured by Saatchi Art in a collection
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