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Through a kind of abstraction, this painting, like a flight in space, represents a sort of landscape, like many in the world, where height and depth refer to a mental vision.

In the place where I live, there are many gullies, cliffs and overhangings, observing them from above you have a double feeling: the monumentality of the landscape makes us feel small but observing depth and beauty you feel very 'tall', strong and happy to live in this World.

The painting is mainly made with Sellenier and Schmincke acrylic colors (on mdf board); the orange trace made with the finger (as if to indicate a presence) is oil color Windsor and Newton.
Through a kind of abstraction, this painting, like a flight in space, represents a sort of landscape, like many in the world, where height and depth refer to a mental vision.

In the place where I live, there are many gullies, cliffs and overhangings, observing them from above you have a double feeling: the monumentality of the landscape makes us feel small but observing depth and beauty you feel very 'tall', strong and happy to live in this World.

The painting is mainly made with Sellenier and Schmincke acrylic colors (on mdf board); the orange trace made with the finger (as if to indicate a presence) is oil color Windsor and Newton.
Through a kind of abstraction, this painting, like a flight in space, represents a sort of landscape, like many in the world, where height and depth refer to a mental vision.

In the place where I live, there are many gullies, cliffs and overhangings, observing them from above you have a double feeling: the monumentality of the landscape makes us feel small but observing depth and beauty you feel very 'tall', strong and happy to live in this World.

The painting is mainly made with Sellenier and Schmincke acrylic colors (on mdf board); the orange trace made with the finger (as if to indicate a presence) is oil color Windsor and Newton.
Through a kind of abstraction, this painting, like a flight in space, represents a sort of landscape, like many in the world, where height and depth refer to a mental vision.

In the place where I live, there are many gullies, cliffs and overhangings, observing them from above you have a double feeling: the monumentality of the landscape makes us feel small but observing depth and beauty you feel very 'tall', strong and happy to live in this World.

The painting is mainly made with Sellenier and Schmincke acrylic colors (on mdf board); the orange trace made with the finger (as if to indicate a presence) is oil color Windsor and Newton.
Through a kind of abstraction, this painting, like a flight in space, represents a sort of landscape, like many in the world, where height and depth refer to a mental vision.

In the place where I live, there are many gullies, cliffs and overhangings, observing them from above you have a double feeling: the monumentality of the landscape makes us feel small but observing depth and beauty you feel very 'tall', strong and happy to live in this World.

The painting is mainly made with Sellenier and Schmincke acrylic colors (on mdf board); the orange trace made with the finger (as if to indicate a presence) is oil color Windsor and Newton.
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STRAPIOMBO Painting

Rossano Liberatore

Italy

Painting, Acrylic on Wood

Size: 19.7 W x 23.6 H x 0.8 D in

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424 Views
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About The Artwork

Through a kind of abstraction, this painting, like a flight in space, represents a sort of landscape, like many in the world, where height and depth refer to a mental vision. In the place where I live, there are many gullies, cliffs and overhangings, observing them from above you have a double feeling: the monumentality of the landscape makes us feel small but observing depth and beauty you feel very 'tall', strong and happy to live in this World. The painting is mainly made with Sellenier and Schmincke acrylic colors (on mdf board); the orange trace made with the finger (as if to indicate a presence) is oil color Windsor and Newton.

Details & Dimensions

Painting:Acrylic on Wood

Original:One-of-a-kind Artwork

Size:19.7 W x 23.6 H x 0.8 D in

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Italian artist After moving to Rome, Liberatore graduated in Painting and Drawing at the Accademia delle Belle Arti. Awarded with a scholarship, he also specialized in Old Pictorial Techniques in 2000. In the same year he painted a fresco portrait which was selected as a gift to Pope John Paul II during the Craftsman Jubilee. Rossano Liberatore’s painting and illustration works granted himself a vast number of exhibitions and publications at a national level. Since 2012 he collaborates with the University of Italian Switzerland (USI) as a lecturer in Visual Communication and Art History. Rossano Liberatore’s painting investigates the encounter between an external, environmental vision and an intimate, personal meditation. It aims to connect places and spaces and integrates them to moods and feelings: by redesigning nature it appears as transfigured in a meaningful portrayal through energetic signs and striking colours. The landscape thus becomes an opportunity to project abstract sensations, sometimes we may find quiet or serenity, some other times rather restlessness or tension. It is a painting of a somewhat informal origin that, in trying to reach a universal vision, also aims at sharing an environmental consideration, both aesthetic and conceptual: remodulated places, isolated marks, balanced spaces, planes of section, vertigos, slants, chromatic connections, geometrical layouts and talking shapes. Today Rossano works between Maratea and Salerno, where he holds a professorship in Drawing and Art History. https://vimeo.com/143768337

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